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James Rosenquist
Somewhere to Light

1966

$7,500

About

Signed and numbered in pencil

Details

  • Creator
    James Rosenquist (1933, American)
  • Creation Year
    1966
  • Dimensions
    Height: 17 in. (43.18 cm)Width: 22 in. (55.88 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    New York, NY
  • Reference Number
    1stDibs: LU128525175282

Shipping & Returns

  • Shipping
    $45 Standard Parcel Shipping
    to United States 0, arrives in 4-9 days.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: New York, NY
  • Return Policy

    This item cannot be returned.

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About the Artist

James Rosenquist

Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein. Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.

Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.

In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.

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About the Seller
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Located in New York, NY
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