Cisco Jiménez Art

Artist: Dan May (American, 1955-) Title: "Running the Dog" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited edition: 151/175 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 21" x 21" Image size: 12.88" x 15.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 40 x 31.5 inches. Image size 35.25 x 27.5 inches. Edition of 275. Artwork is in excellent condition. Cert...

Hand signed and numbered by the artist. Serigraph on paper. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be ...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

This 48" x 12" x 7" mixed media sculpture by Oklahoma-based artist Paul Medina consists of clay, steel, and copper, threaded together with nylon cord. The work utilizes elements of b...

"Sifnos" is a serigraph on paper by Thomas McKnight from his 'Aegean Sea Suite', signed 'McKnight' lower right and numbered XXIX/CC lower left. From the edition of 510 (there were al...

Artist: Jack Graves III (American, 1988-) Title: "Babar's Daily Stroll" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2026 Medium: O...

Eyvind Earle's Garden of Dreams from 1990 is a traditional screen print on paper, 37 x 28" with framed dimensions of 48 x 38.5". Signed 'Eyvind Earle' lower right and numbered 164/2...

Artist: Mr. Brainwash Title: Jimi Hendrix Medium: Screenprint Date: circa 2009 Edition: Unnumbered Sheet Size: 30" x 22 1/2" Frame Size: 36 3/4" x 29 1/4" Signature: Hand signed in ...

Screenprint on Archival paper with Deckled edges 30 × 22.25 in / 76.2 x. 56.5 cm Edition of 1274 Signed and numbered by the artist comes with COA from the artist. Mr. Brainwash, the...

Robert Kvenild took his BA from the UC Santa Cruz and went on to SF State University for his MA. His whimsical, colorful ceramic pieces have been in many solo and group shows through...

Artist: Dan May (American, 1955-) Title: "A Woman and Her Pets" *Signed and numbered by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper...