Claude Frégnac Furniture

First edition (stated) of Italian/Parisian fashion designer Elsa Schiaparelli’s autobiography, published in 1954 by E.P. Dutton & Co. Per the dust jacket, Schiaparelli “tells her...

High Jewelry by Cartier Contemporary Creations Hardcover Large Book. 1st edition. A sumptuous tribute to Cartier’s creations with spectacular new photographs of unique pieces, many o...

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

Les Déjeuners - Picasso, 1st French edition, 1962
Published by Éditions Circle D’art Paris, 1962 
 A beautiful copy of Picasso’s seminal book Les Déjeuners complete with fine cloth s...

First American edition of Raymond Chandler’s fifth Philip Marlowe detective novel, concerning a case of blackmail involving a Hollywood starlet and a Cleveland/LA hoodlum. Published ...

AUTHOR: TROLLOPE, T. Adolphus. TITLE: The Girlhood of Catherine De' Medici. PUBLISHER: London: Chapman & Hall, 1856. DESCRIPTION: FIRST EDITION. 1 vol., 8" x 5-3/8", fronti...

"Je Suis Le Cahier" The Sketchbooks of Picasso hardcover book 1st Edition 1986 The Sketchbooks of Picasso "Je Suis Le Cahier". Pablo Picasso, "Picasso considered all of his works to be entries in his diary; he excluded nothing. The sketchbooks are generic chapters inextricable from his oeuvre. In Picasso's paintings the spontaneity of gesture is deceptive since the manner is which he leaves his tracks visible superficially suggests minimal preparation. Although most of Picasso's solutions appear to be immediately worked out on the canvas, this was far from the fact. Many paintings sprang fully formed as the fulfillment of preconscious models, but very often others were the product of the process of trial solution and discovery through drawing. There are eight sketchbooks for Les Demoiselles d'Avignon, five for the saltimbanques, four for the Luncheon on the Grass series, and two for The rape of the Sabines. In sketchbook No. 171, Picasso inscribed...

First edition of this cult classic, “the teenage movie that…America never made,” published by Grove Press in 1995 in conjunction with director and photographer Larry Clark’s first mo...

First printing of the first revised & enlarged hardcover edition of The Americans by Robert Frank with writings by Jack Kerouac published by Aperture /Grossman 1969. The landm...

Symbolism Paperback Book 1995 by Michael Gibson, 1st edition 1st printing.A study of the Symbolist movement, which emerged in the mid to late 19th century and expired during World Wa...

Author: POLIDORI, John William. Title: The Vampyre; A Tale. Publisher: London: for Sherwood, Neely, and Jones, 1819. Description: First edition third issue and Michael Sadleir's copy. pp.[25]-84, with the half title, complete, 8vo., this issue with the preface set in 23 lines and misprint "lmost" for "almost," on last line of page 36, still in the original stitching, all edges uncut as issued, with the original brown/gray paper wrappers, housed in a green cloth chemise in an open ended slipcase, gilt lettered spine. Paper book label...

The Etruscans Hardcover First Edition Oversized Collectible Book.May 4, 2001 by Mario Torelli (Author).The Etruscans have long been a rich source of research and intellectual inquiry as the most significant ethnic group who resided in ancient Etruria, current-day Tuscany and Umbria in Italy. A well-defined polity, the Etruscans were an advanced people whose presence on the Italian peninsula from the 8th to 4th century B.C. had an enormous impact on Roman culture, whose rise of power saw the collapse of Etruscan civilization. * Publisher ‏ : ‎ Rizzoli; First Edition (May 4, 2001) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 672 pages * Dimensions ‏ : ‎9 x 2 x 12.25 inches This book is extensive in its scope; it traces the rise of the Etruscans at the end of the Bronze Age; examines the economic structure of the society; explores the emergence of a powerful aristocracy in the period from 750-650 B.C.; and considers the religious and cultural life of the group. This knowledge has largely been gleaned from a wealth of monuments and material culture which the Etruscans left behind including architecture (the various forms of which indicate familial structure and socio-economic standing, not to mention the larger social structure of Etruscan society) and applied arts, such as bronze objects for both ceremonial use and everyday life, which were produced by an artisan class for a wealthy and demanding aristocracy.Etruscan contributions to the history of art are also of immense importance and are explored in depth in this volume. Etruscan wall...