Coenraet Decker Prints and Multiples

Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

"PIERRE-AUGUSTE RENOIR (1841-1919) Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extr...

A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle. This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...

Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a man sitting near a tree with a bird standing on his hand. There is a dog on the ot...

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

Contemporary figurative black and white drypoint and copperplate print by Polish artist Ewa Kutylak. This surrealistic print depicts a man watering a river, there are fish in the wat...

The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander The scene is out of a set of 13 engravings "Passion of Christ" Engraving Published by: Jacques de Gheyn...

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...

Peter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...

Contemporary figurative black & white mezzotint and drypoint print by Polish artist Ewa Kutylak. Print depicts a man facing a horse. Above them there is a dog in a landscape and bene...

Architectural designs. A set of nine architectural engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Diff...