Coll Bardolet Art

Artist: Marc Chagall (1887–1985) Title: The Juggler (La Jongleuse) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition: ...

Claudia Doring-Baez, "Kubrick Ballroom Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high qua...

An illustrator working in a painterly, narrative style as N. C. Wyeth, Howard Pyle, Dean Cornwell from the Golden Age Of Illustration. Surface quality is post impressionist with hea...

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Ron Hoover surrealist painting titled "The Collector" done in a pointillism style in 1987. This work was exhibited at the Palm Spring Desert Museum in 1990. Signed and dated by artis...

Unique figurative harlequin painting with Picasso style and abstract elements with dream-like layering by Robert Moesle (American, b.1932). Signed "Moesle" lower left. Titled "The Harlequin Prince" on verso. Displayed in a rustic painted giltwood frame with linen liner. Image size: 40"H x 32"W. Framed Size; 45"H x 37"W. Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inc...

'Tennis Match on Clay', watercolour on paper by Pierre Gaillardot (circa 1970s-80s). A lively and atmospheric watercolour by French artist Pierre Gaillardot, depicting a tennis match...

Firmado por el artista en la parte inferior Se presenta enmarcada la obra Medidas obra: 65 cm. de altura x 50 cm. de ancho Medidas marco: 86 cm. de altura x 72 cm. de ancho Buen ...

Artist: Marc Chagall (1887–1985) Title: Sarah and Abimelech (Sara et Abimelech) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x ...

This oil on linen painting by James Cobb depicts an Italian street scene. The sidewalk is shaded in a purple cast from the afternoon sun with several person...

Artist: Marc Chagall (1887–1985) (after) Title: The Rooster (Le Coq) Year: April 20, 1950 Medium: Lithograph on velin paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. Additional notes: This exquisite lithograph after Marc Chagall (1887–1985), titled Le Coq (The Rooster), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This beautifully expressive composition exemplifies Chagall’s poetic synthesis of color, movement, and imagination. Le Coq captures the artist’s timeless fascination with rural symbolism, metamorphosis, and the joyful interplay between the earthly and the divine. This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le Coq...

A tree in springtime bloom, standing in a field in a state park. :: Painting :: Expressionism :: This piece comes with an official certificate of authenticity signed by the artist ::...

We received 5 tapestries from a dealers collection who retired from business and been stored properly, currently 4. There in no fading or damage to each and ready to hang condition....

Isaac Grünewald ( 1889-1946 ) Swedish & jewish Expressionist painter . Rare & unique ceramic work circa 1940 Glazed stoneware . signed . decorated with nude male and f...