Daniel Rosenbaum Art

Feeling on Top of the World is an expressionistic painting by abstract artist Diane Whalley. Created over a number of weeks allowing time for layering, show through and mark making. ...

Untitled 09 (Remains of the Remains), 2020 Acrylic on canvas 78 37/50 H x 58 33/50 W in. 200 H x 149 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created ...

Untitled 023, 2020 Acrylic on canvas 78 37/50 H x 59 3/50 W in. 200 H x 150 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created in the time frame of 2020-...

Diptych 165 x 73 cm and 165 x 219 cm (65 x 28.7 in and 65 x 86.2 in) This work will be shipped rolled in a tube. Poynder's method emphasizes gesture, line, color, and space. Physi...

Untitled 07, 2020 Acrylic on canvas 78 37/50 H x 58 33/50 W in. 200 H x 149 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created in the time frame of 2020-...

Monochrome abstraction Part 1 (Abstract painting) Acrylic, charcoal and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s...

Untitled 05 [Remains of the Remains 05], 2020 Acrylic on canvas (Signed on reverse) 13 25/32 H × 9 27/32 W in. 35 H × 25 W cm Zsolt Berszán is not interested in the individual himse...

Signed on reverse Zsolt Berszán is not interested in the individual himself, but in the human remains that become subjects in themselves. The representation of the fragments, the tr...

This work will be shipped rolled in a tube. Poynder's method emphasizes gesture, line, color, and space. Physicality and action are key to her technique. To create her drawings and...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours...

"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...