Darryl Pottorf Art

R.B. Kitaj POGANY, 1966 17 colour Screenprint and Photo-screenprint 24 × 36 inches Pencil signed and numbered from the Limited Edition of 70 Hand-signed by artist, Signed & numbered ...

Jasper Johns Target with Four Faces (ULAE 55), 1968 Silkscreen in colors on Rives BFK wove paper Signed and dated in red ink and numbered 53/100 (total edition includes ten artist's ...

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil Condition: Excellent (sold unframed)

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: American Flag III Year: 1979 Medium: Serigraph, signed and numbered in penicl Edition: 300 Paper Size: 34 in. x 2...

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Hand signed and numbered 55/100 in graphite pencil lower front Provenance...

Eduardo Paolozzi, British (1924 - 2005) - Memory Matrix, Year: circa 1968, Medium: Screenprint, signed and numbered in pencil, Edition: AP 9, Image Size: 36 x 24 inches, Size: 40 x 2...

Michael Bierut, American (1957 - ) - The Letter N, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 34 x 22 inches, Size: 35 x 23 in. (88.9 x 58.4...

Julian Schnabel, American (1951 - ) - Tibet House, Year: 1995, Medium: Screenprint, signed and numbered in pencil, Edition: 26/200, Size: 57.85 x 42 in. (146.94 x 106.68 cm), Fra...

Joe Tilson Mnemonic Device, 1975 Silkscreen with hand coloring on Thin Bamboo Wood Sheet 21 1/4 × 19 1/2 inches Edition 96/100 Hand signed and numbered from an edition of 100 on rect...

Dondi White NYC 1987: A rare, highly collectible Dondi White illustrated exhibition announcement published on the occasion of: 'Matter of Facts, New Drawings by Dondi White'. 56 Blee...

Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...

Signed J. Crash Matos, numbered in pencil 38/100 . Serigraph on paper CRASH (American, b.1961) John Matos is a Graffiti artist best known for his three-dimensional representation of lettering. Born John Matos in the Bronx, NY, he began spray painting on subway trains in his early teens, working alongside other pioneering American Graffiti artists, such as Dondi White...