David Martin Art

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Daniela Astone Couple #2 50 x 40 cm Oil on wood Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltime works as a painter. Her works are all around the world in great collections. For our exhibition 'A Female Gaze' Daniela Astone made a series of paintings where the female aspect of her life is the main subject. This series contains a series of seven paintings where you see a dancing couple. Female- male couples and male-male/ female-female couples. The Currator of Galerie Bonnard says about the paintings by Daniela Astone: The classical structure and narrative paintings show a technique that is special. Her style is virtuoso and her subjects narrative. The keys are loose and subtle. For this artist, standing in front of a painting means...

Joseph Margulies (American, 1896-1984) Untitled (Portrait of a Girl), 20th Century Oil on canvas (or possibly linen?) 29 3/4 x 25 in. Framed: 33 3/4 x 26 x 1 1/2 in. Signed lower rig...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

This masterfully executed painting by Emerik Stenberg (1873–1927) captures an intimate and atmospheric moment. The composition features a seated man, engrossed in his daily chores, b...

This original black and white photograph of one of Richmond Barthé's rare, little-known sculptures was taken by the famous studio of Morgan and Marvin Smith, who located on West 125th Street next to the renowned Apollo Theater. The Smith brothers moved from their native Kentucky to New York in the early 1930s, and proceeded to establish a studio that brought together almost every major figure in the Harlem Renaissance in the 1930s, 40s and 50s, mentoring artists such as Jacob Lawrence, Gwendolyn Knight, Selma Burke, Ernest Crichlow and Robert Blackburn. The Smiths captured the night life of Harlem, including musicians and actors such as Harry Belafonte, Sydney Poitier, Eartha Kitt, Ossie Davis, Ruby Dee, Count Basie, Ethel Waters, Billie Holiday, Hattie McDaniels, Zora Neal Hurston, Step n' Fetchit, Pearl...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

Collection of Vintage Sporting Photographs Including Yale Team

Jan Kupetsky (1667 - 1740) Czech School An artist grinding colours, possibly a self-portrait Oil on canvas Signed, verso : "Joseph Prinzig" Provenance: Private Collection, Hungary ...

Artist: Greg Gorman (American, b. 1949) Title: Rex and Gregory, 1988 Gelatin silver print Image size: 18.75 x 14.75 inches Paper size: 19.75 x 15.875 inches Frame size: 24.8 x 1...

Charles Philips 1703 - 1747 Portrait of a King's Messenger Oil on canvas Image size: 35 ¾ x 28 inches Original gilt frame King's Messenger The job of a King's Messenger was that of a diplomatic courier, hand-carrying important and secret documents around the world. Some say that the history of the sovereigns' messengers goes back to 1199, but the first known messenger was John Norman, who in 1485 earned 4d (1½ pence) per day for carrying the state papers of Richard III. The silver greyhound on the messenger's badge dates back to Charles II. In 1660, during his exile at Breda, Netherlands, Charles II issued a declaration of amnesty to all those who had opposed him and his father. He used messengers to make his intentions known. In answer to the messenger's question "How will they know me?", Charles reached forward to a silver bowl on the table in front of him. This bowl, with four decorative greyhounds standing proud above the rim, was well known to all courtiers. Charles broke off a greyhound and gave it to the messenger as a guarantee that the message came from him. From that date, the King's Messenger always wore a silver greyhound around his neck. Later, dating from George II or III, a badge with the Royal Arms in enamel, with the greyhound suspended beneath, was worn. A George III example of the King's Messenger Badge, pre 1800, sold for over £30,000 pounds some years ago. The silver greyhounds were minted for each new reign, except the brief one of King Edward VIII. The sovereign's messengers were originally controlled by the Lord Chamberlain, being Messengers of the Great Chamber. When the Foreign Office was created in 1782, the messengers remained common to the three Secretaries of State. Charles Philips was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. Philips was baptised in the combined parish of St Mildred, Poultry with St Mary...