David Simpson Art

Yaacov Agam (Israeli, 1928-2026), "Untitled 23", Screenprint in Colors, circa 1980, signed in pencil lower right and numbered edition "37/150" lower left, oak frame. Image: 29" H x ...

Yaacov Agam (Israeli, 1928-2026), "Double Metamorphosis II", Screenprint in Colors on Arches Paper, circa 1979, numbered edition "46/180" lower left, signed in pencil lower right, Ro...

Victor Vasarely Olympia : Sky and Sun (Op art spiral), 1971 Original 15 colors screenprint Printed signature in the plate On paper 100 x 78 cm (c. 40 x 31 in) REFERENCES : Catalog...

Yaacov Agam (Israeli, b. 1928), "Composition I", Screenprint in Colors, circa 1975, signed in white ink lower right, numbered edition "CXXIII/CLXXX" [123/180] lower left, white frame...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Victor Vasarely (Hungarian/French, 1906-1997), "Tewek", Screenprint in Colors, 1978, signed in pencil lower right, numbered edition "57/250" lower left, black frame. Image: 21.25" H...

Richard Anuszkiewicz Soft Lime, 1976 8 Color silkscreen on Lenox 100% Cotton paper 38 × 46 inches Pencil signed and numbered 41/75 on the front; bears printers blind stamp from NYIT (New York Institute of Technology) Unframed We have not seen another example of this gorgeous mid century silkscreen...

Blue and Red Space Ilk Screen, 1971 Signed and dated lower right (see photo) editioned lower left (see photo) Edition: 75 (75/75) Sheet size: 22 1/8 x 29 7/8" Image: 21-7/8 x 29-5/8"...

Serigraph on paper from Jalons portfolio. Hand signed and numbered by the artist. Image size 25.75 x 24.5 inches. Sheet size 33.25 x 29.75 inches. From the main edition of 250. Add...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...