Deshayes Eugène François Paintings

"Blue Sky" captures the vibrant colors of summer wetlands in post-impressionist style. The dynamic blue and pink tones evoke warmth and natural beauty, making it a striking addition ...

Signed lower left: F. gall Provenance: Private Collection Anne French Fine Arts, 2009 Private Collection, Florida Francois Gall was born in Kolozsvar, Hungary in 1912. He began hi...

"Magical Sky" brings a surreal atmosphere to life, inspired by the serene beauty of Dutch wetlands. With dynamic pink and green tones, this post-impressionist oil painting creates a ...

"Winter Blues" is a semi-abstract oil painting showcasing a serene winter landscape. With harmonious tones of blue and grey, this impressionist artwork evokes timeless tranquility. C...

This landscape, oil on board, is by listed American artist Galen Everett Ray. It features a panoramic view of Mount Greylock, Massachusetts. Located within the Taconic Mountain range...

Marie Lucie Nessi-Valtat Summer landscape, ca. 1950 Oil on canvas Canvas: 17 1/3 × 21 in l 44 × 53 cm Frame: 19 2/3 x 23 1/4 l 50 x 59 cm Signed lower right Marie-Lucie Nessi Valta...

Lucien Hector Jonas (1880–1947) Dijon, France, 1938 A stylish en plein air view of the town square in Dijon, painted in May 1938. Executed in oil on paper laid onto canvas, a techni...

Jacques Martin-Ferrières (French, 1893-1972) La grille d'entrée principale de l'Artaudière, 1945 Oil on canvas Canvas: 36.25 x 28.75 inches (92.1 x 73.0 cm) Framed Dimensions 41.5 X ...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

This is a very colorful winter scene of the Ellis River in northeastern New Hampshire, near Jackson. The river begins at the base of Mount Washington and eventually joins the Saco R...

Farmhands working in a field on a hot summer's day. Building on iconic depictions of farmworkers by Millet, Huys sought to imbue his figures with a sensitivity and reverence that ...

Nils Forsberg (Risöberg, Sweden, 1842 – Helsingborg, 1934) Kermesse, street scene in Versailles 1882 Oil on panel 26.8 × 36 cm 37 x 44 cm with it's frame View of Versailles, sign...