Desmond McLean Paintings

“Phenomena Rights of King", 1976. Gouache on Paper Framed: 43 ½ x 35 ½ inches Signed bottom center The Phenomena series is a celebrated body of abstract expressionist paintings and ...

Unique historic work Hand signed and dated on the front An exceptionally early gouache from 1957, executed on the verso of a Wells Street Gallery invitation card - one of the first c...

American modernist still life painting. Watercolor on paper, circa 1980. Signed. Image size, 24"L x 18"H.

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Acrylic and collage painting on board Hand signed and dated on the front Provenance: Parker Street 470...

Many in the art world today dismiss illustrators as being commercial simply because their work was done on assignment for a client, rather than for themselves. Sadly, these art world people have limited imagination and a restricted sense of curiosity. Rembrandt and Leonardo were commercial artists. This boxing illustration/painting was done for Sports Illustrated...

A beautiful and soft feminine gouache painting by French artist Jean Pierre Guiot. With a soft dark color palette of dark green, yellow, red, and blue, this piece exudes an emotional...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...

Amaranth Ehrenhalt (1928–2021) Appi 13, 2003 Gouache and watercolor on thick paper Painting: 20 x 20 cm l 8 x 8 in. Frame: 33 x 33 cm l 13 x 13 in. Signed, titled and dated Amarant...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...