$1,800
Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
By Dieter Roth
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Lithograph, Screen
$3,600
Double Somersault by Dieter Roth (pair of prints) colorful abstract geometric
By Dieter Roth
Located in New York, NY
A frenzy of lines and color, this pair of Dieter Roth lithographs could have been produced in 2022. The contemporary popularity of semi-abstract imagery featuring color gradients, za...
Lithograph
Selfportrait as a Flowerpot by Dieter Roth abstract lithograph
By Dieter Roth
Located in New York, NY
This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...
Handmade Paper, Lithograph
A thought by Dieter Roth abstract geometric black and white etching
By Dieter Roth
Located in New York, NY
Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...
Drypoint, Etching
Berlin 2 by Dieter Roth architectural monument postcard in pink of Germany
By Dieter Roth
Located in New York, NY
Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...
Lithograph, Screen
Po th A a Vfb (Portrait of the Artist as Vogelfutterbüste) by Dieter Roth
By Dieter Roth
Located in New York, NY
P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970 Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm Intaglio printing (halftone block) in black ...
Etching
A Muse by Dieter Roth set of ten abstract black and white lithographs
By Dieter Roth
Located in New York, NY
This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Lithograph
$3,600
A feminine thought Dieter Roth portfolio abstract geometric black white etching
By Dieter Roth
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Drypoint, Etching
Containers portfolio by Dieter Roth
By Dieter Roth
Located in New York, NY
Containers 1972 (published 1973) Portfolio of 33 signed and numbered prints: nine etchings (eight with various collage additions), four offset lithographs, one etching, one transfer...
Etching, Lithograph, Offset, Screen
$2,900
H 24 in W 18 in
Mandala Ornament (Holiday)(Sacred Geometry, Radial Symmetry, Lotus Symbolism)
By Shepard Fairey
Located in Kansas City, MO
Shepard Fairey Mandala Ornament (Holiday) Screen print on thick cream Speckletone paper Year: 2010 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed by Shepard Fairey, date...
Screen
La Partie de Campagne
By Fernand Léger
Located in Paris, FR
Lithograph, 1952 Handsigned by the artist in pencil and numbered 6/75 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Saphire E 14 37.00 cm. x 55.50 cm. 14.57 in. x 2...
Lithograph
Joan Miro (Plate 4)
By Joan Miró
Located in Washington, DC
Artist: Joan Miro Title: Joan Miro (Plate 4) Portfolio: Joan Miro Medium: Original lithograph Year: 1956 Edition: Unnumbered Frame Size: 15 1/2" x 14 1/4" Sheet Size: 9" x 7 1/2" Sig...
Lithograph
La Melodie Acide II
By (after) Joan Miró
Located in San Francisco, CA
This artwork titled "La Melodie Acide II" 1980 (printed and published in 1983) is a color lithograph on Guarro paper after Joan Miro 1893-1983. It is si...
Lithograph
He Repeated the Letters of the Alphabet
By Corita Kent
Located in Missouri, MO
Sister Mary Corita Kent (American, 1918-1986) He Repeated the Letters of the Alphabet... Color Screenprint 22.5 x 38.75 inches Signed Lower Right Sister Mary Corita Kent, once the n...
Color, Screen
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...
Handmade Paper, Color, Lithograph
$2,898
H 29.93 in W 22.05 in D 0.04 in
Jean Miotte - Abstract Composition - Original Signed Lithograph
By Jean Miotte
Located in Collonge Bellerive, Geneve, CH
Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came o...
Aquatint
Untitled
By Louise Nevelson
Located in New York, NY
Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.
Color, Screen
Spring 69
By Nancy Genn
Located in San Francisco, CA
This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...
Lithograph
$458Sale Price|34% Off
H 5 in W 5 in
Homage to the Square: Dedicated (Bauhaus, Minimal, Retrospective, ~34% OFF)
By Josef Albers
Located in Kansas City, MO
Josef Albers Homage to the Square: Dedicated 1956 Silkscreen in brilliant Colors on Paper after Oil on Masonite, 1950-1956 From "Josef Albers - Paintings, Prints, Projects", 1956 Im...
Screen
"Black Gouache" lithograph
By (after) Sol LeWitt
Located in Henderson, NV
Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...
Lithograph
$700
H 27 in W 16 in
Karel Appel - Appel's Appels, vintage offset lithograph poster, Canadian Gallery
By Karel Appel
Located in New York, NY
Offset lithograph poster An art exhibition sponsored by Rothmans of Pall Mall Canada Limited. The traveling exhibition featured works by the artist Karel Appel and took place at The ...
Lithograph, Offset
Sold
H 44.5 in W 54.3 in
Goodbye Sharpie Dieter Roth black and white geometric abstract print
By Dieter Roth
Located in New York, NY
Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Lithograph
Sold
H 31 in W 21 in
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Lithograph
Sold
H 34 in W 39.75 in
Wrapper by Dieter Roth abstract pink unique one of a kind print with shimmer
By Dieter Roth
Located in New York, NY
Wrapper, 1971 34 x 39.75 in. / 86.5 x 101 cm Lithograph (Zinc) in 6 colours, 4 printing forms on white paper. Edition of 19, numbered and signed, each a unique print, 3 AP. Numbere...
Lithograph
Sold
H 31 in W 21 in
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Lithograph
BOOK aa
By Dieter Roth
Located in Portland, ME
Roth, Dieter. BOOK aa. Dobke, page 149. Published by edition mat, Paris, 1959. Edition of 100 of which only 60 were completed. One of Roth's early books, categorized by Dobke as &q...
Paper