Dingyan E Art

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

Framed 15" x 18"( "Rolling Surf" by Steve Parker is 9" x 12" .Rolling Surf was painted along the Pacific Coast Coast in 2024. It is Oil on Canvas with a custom made frame. There ...

Frank Waller (American, 1842-1923) Ocean Crashing against Rocks, Isles of Shoals Oil on canvas, 9 1/2 x 20 1/4 inches FRAMED: 15 x 26 inches (approx.) Note: while this work is unsi...

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

"Trumans Beach, East Marion 06.06.2022" is an almost-abstract palette knife landscape painting of a beach and beach shrubs. Off in the distance is a little white triangle of paint to emulate a sailboat...

"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern Syd J. Browne (1907-1991) "Summer Pier Fishing" 22 x 30 inches Oil on canvas. c. 1930s Signed lower r...

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

French painter (18th century) - The Bellows. 80.5 x 112.5 cm. Oil on canvas, unframed (not signed). The scene depicts an interior with three full-length figures: on the left, a ma...

French painter (18th century) - Flute Player and Dog. 43.5 x 35 cm (without frame), 54 x 45 cm (with frame). Oil on canvas, in a carved and gilded wooden frame. The scene depicts ...

**"The Flamenco" (Flamenco Dancer in an Interior)** James Durden (British, 1878–1964) Oil on canvas, 36 × 30 inches (42½ × 36 inches framed) Signed Lower Right A luminous and masterfully composed interior scene, this large-scale oil on canvas ranks among Durden's most ambitious and captivating works. A flamenco dancer, dressed in a richly tiered pink and green ruffled skirt, dark beaded bodice, and red hair ornament, stands with hands on hips in a moment of quiet confidence — poised between performance and repose. Her dark-eyed gaze is directed toward the light-flooded window, creating a compelling sense of psychological presence. The room itself is a tour de force of English interior painting: a crystal chandelier catches the diffused afternoon light filtering through gauze curtains; a gateleg table set with green-trimmed porcelain and a vase of pink hydrangeas anchors the foreground; a gilded Oriental screen glows warmly behind a teal wingback...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...