Domenech Art

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

Created in 1935 by E. Paul Champseix, this original French travel poster promotes the Téléphérique d’Artouste in the Ossau Valley, at the heart of the French Pyrenees. The cable car ...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson ( 1899-1988) - one of the most revered and unique sculptors of the 20th century. Nevelson i...

TECHNICAL INFORMATION Jesus Rafael Soto Expo 60 - ARC Musee D'Art Moderne Ville De Paris 1969 Screenprint on Cardboard 27 1/2 x 18 1/2 in. Edition of 1000 Signed on bottom right, si...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

Created by La Motta in 1955, this original poster was commissioned for the 36th International Eucharistic Congress in Rio de Janeiro. Held from July 17 to 24, the congress was an important international Catholic gathering organized around the theme of Christ the Redeemer and his Eucharistic kingdom. The composition places Rio’s celebrated statue of Christ the Redeemer at the center of an expansive celestial vision. With his arms extended, Christ forms the upper section of a monumental cross rendered in the green and yellow colors associated with Brazil. Below, he stands upon a globe centered on South America, where a radiant star indicates the location of Rio de Janeiro. A deep blue background and surrounding constellation of stars give the poster a sense of spiritual grandeur. The restrained palette of blue, green, yellow and ivory combines religious symbolism with the visual identity of Brazil, while the bold typography at the bottom clearly announces the congress and its dates. Signed La Motta in the lower right, the design is characteristic of mid-century event posters, using simplified forms and carefully balanced geometry to communicate a powerful message from a distance. The poster was printed by Rebizzi in São Paulo. This original 1955 poster is an evocative document of Brazilian religious and cultural history. Its striking combination of Christ the Redeemer, cartographic imagery and modern graphic design makes it particularly appealing to collectors of Brazilian posters...

Beautiful modernist figurative abstract with birds, a large scale vertical dual panel original serigraph, "Golden Haven I, and "Golden Haven II", by Phil Paradise...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Les Fauves by Henri Matisse (1869-1954), hand-signed book cover lithography printed in Switzerland, 32 x 51 x 0,2 cm - 12,5 x 20 x 0,07 in, printed by Mourlot Editions Henri Matisse...

Color silkscreen with enamel inks and tar-like texture on Rising 2-ply museum board Portfolio of 8: $16,000

Sean Scully Shadow, 1970, 2016 (uniquely hand signed) Offset lithograph print on card depicting Scully's painting "Shadow" Boldly signed in black marker by Sean Scully for the prese...

George Condo at Cycladic (hand signed by George Condo), 2018 Limited Edition monograph with slipcase (hand signed by George Condo) 11 × 8 1/2 inches Published in a stated limited edi...