Domenico Puligo Paintings

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

Italian painter (17th–18th century) - Seated Franciscan friar writing (preparatory sketch). 14 x 16.5 cm (without frame) - 19 x 21.5 cm (with frame). Oil on panel, in wooden frame ...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...

This not signed very interesting oil painting on canvas dates back to the mid-17th century. It depicts the Virgin Mary kneeling and reading the Book of Hours. It is the work of an ...

Saint Mary Magdalene in Ecstasy, circle of Guido Reni (1575–1642) Italian School, 17th century Unsigned Charming oil on panel depicting Saint Mary Magdalene in an attitude of deep c...

17th Century Italian School St Peter Oil on Canvas 55 1/2 x 41 inches This large and tender rendering of Saint Peter was painted by the hand of great Italian painter of the 17th Cen...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Circle of Jusepe de Ribera (Xàtiva 1591 - Naples 1652) - Saint Joseph. 108 x 80 cm (without frame) - 123 x 95 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not...

This evocative antique oil painting on canvas depicts a dramatic European genre scene centered on an encounter between a well-dressed young gentleman and two impoverished figures. Pr...

Italian painter (18th century) - Cronus. 90.5 x 106 cm. Oil on canvas, unframed (not signed). The painting depicts Cronus, Greek deity of time and the harvest, in a composition of...

Flower Garland Surrounding the Virgin and Child, after Jan Brueghel the Elder (flowers), Circle of Frans Francken II (figures), Antwerp, circa 1615–1625, Oil on copper This finely executed garland painting on copper belongs to the Antwerp tradition of collaborative devotional cabinet pictures developed in the early seventeenth century. The meticulously rendered floral wreath may be associated with the circle of Jan Brueghel the Elder, while the central figures are attributable to the circle of Frans Francken II. The copper support, favored for high-quality works of this type, provides an exceptionally smooth surface that permits minute precision of detail and preserves the jewel-like luminosity of the colours. Set against a dark, subtly modulated background, the oval garland appears to float freely within the pictorial field, leaving the corners and margins open and lending the composition an airy sense of balance. The wreath is constructed from a carefully orchestrated rhythm of large, voluminous blossoms—roses in varying hues, carnations, anemones, and marigolds—interwoven with a profusion of smaller flowers, leaves, and stems. Each bloom is individually characterized, displaying botanical precision, crisp highlights, and delicate tonal transitions consistent with early seventeenth-century Flemish flower painting...

On offer is an 18th- or 19th-century copy of Sir Anthony van Dyck's 1630 painting, “The Rest of the Holy Family during the Flight into Egypt.” The original painting hangs in Munich’s...