Douglas Prince Figurative Photography

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Mint Condition Platinum Photograph

Impression fine art sur papier baryté, réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Photographie tirée du carnet "Petits paysages américains" de Jean-Christophe Béchet (2018, 48 pages, éditions Trans Photographic Press). "Aux Etats-Unis, tout est plus grand, plus fort et plus impressionnant, notamment les paysages ! Les photographies légendaires d’Ansel Adams ont structuré notre mémoire visuelle et aujourd’hui dans chaque lieu touristique, des galeries proposent des images de grand format où les couleurs saturées jouent une symphonie bruyante et kitsch. Tout le panel des artifices de la photographie contemporaine est au service d’une représentation allégorique d’un paradis perdu, d’un eden déconnecté du monde réel. Mes « petits paysages américains », de taille modeste, en noir & blanc argentique, faits au Leica...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Photographie 30x40cm de la dernière série de Jean-Christophe Béchet, Habana Song, tirée par l'auteur lui-même par impression pigmentaire, avec de superbes nuances de noir, dans un to...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...

Vintage photograph of an unknown abstract sculptor. In metal frame.

Available Sizes: 20 x 20 Edition of 3 40 x 40 Edition of 3 60 x 60 Edition of 3 Print only. Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both yo...

Cristiano Mascaro Corcovado, Christ the Redeemer (detail), Rio de Janeiro, Brazil, 1990 60 x 60 inches Edition of 2 Archival Pigment Print Signed,...

This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand carved wooden hand finished frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Louis Armstrong practices his scales exclusively for Arthur Steel’s camera whilst awaiting a flight back to his home from touring. Image unearthed January 2013. Printed Later. Arth...

Impression fine art sur papier baryté, tirage réalisé par l'auteur Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Cette phot...