Edgar Brandt Furniture

Art deco serpent in hammered wrought iron stamped Edgar Brandt. In very good shape. Weight : 2,2 Kg You can contact me for a shipping quote. Edgar Brandt was born in Paris in 1880 a...

This remarkable lamp is not only a beautiful work of art but also a reflection of the incredible skill of Edgar Brandt. Brandt was a French artist and metalworker who gained worldwid...

Mirror, circa 1924 Wrought iron frame, bevelled glass. A pair is available. Stamped " E. Brandt". Measures: H 62 - L 130 - P 4 cm (H 24.4 - W 51.2 - D 1.6 in) EXHIBITIONS Model...

An important early 20th century Art Deco bronze study of a rearing snake, its tail curled and heads raised in an alert position with excellent hand chased surface detail and very fin...

Elegant wrought iron wall sconce with alabaster shades. Signed Edgar Brandt.

Pair of Mistletoe or Boule de Gui Art Deco table lamps by Edgar Brandt and Daum. Wrought iron lamp bases stamped E. Brandt. Orange and bleu pâte de verre glass shades signed Daum Na...

Art deco chandelier circa 1925. Wrought iron frame decorated with ginkgo biloba leaves. Alabaster basin. Stamped E. Brandt on the mount. The chandelier is electrified and in pe...

An art deco table lamp with hammered iron work from Edgar Brandt and art glass shade from Daum Nancy. Shade signed with Daum Nancy / Ironwork signed with Edgar Brandt

''Simplicité'' console table by Edgar Brandt (1880-1960) circa 1925 wrought steel, marble top Dimensions: 150.5cm wide, 87.5cm high, 45.5cm deep.

Art deco wrought iron chandelier with ginkgo biloba leaf decoration, circa 1925. 4 tulips and a central glass paste shell signed Daum Nancy. Frame stamped E Brandt. Chandelier electrified and in perfect condition. This chandelier will be disassembled and sent in two separate boxes. One for the glass and another for the frame. Height: 86cm Frame diameter: 42 cm Shell diameter: 27 cm Weight: 12kg You can contact me for more information and for delivery costs. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects...

Vase by Edgar Brandt (1880-1960) and George Bastard (1881-1939) Chromed-metal Stamped E. Brandt and G. Bastard Circa 1935 Executed for the liner Normandie.  

Edgar Brandt Art Deco wrought iron tray. Wrought iron serving tray circa 1925 decorated with stylized roses and foliage stamped E. Brandt Length: ...

Art Deco Whale lamp or Sconce in wrought iron and Alabaster by Edgar Brandt (more about the artist below). Animal sculpture Art Deco lamp or wall lamp deco...

Edgar Brandt Serpent art deco. in wrought iron. Remarkable work of hammering of the wrought iron for this decorative snake dating from the years ...

Art Deco wrought iron Mistletoe paperweight by Edgar Brandt. In French this model is called Boule de Gui. Wrought iron with chromed finish. France 1921. We have a pair available...

Edgar Brandt (1880-1960) 'Simplicité' console table, circa 1925 Wrought steel, marble Measures: 150.5cm wide, 87.5cm high, 45.5cm deep.

Exceptional and really rare french art deco table lamp in wrought iron by Edgar Brandt, signed on the base. The glass was made by Daum...

Exceptional and really rare french art deco table lamp in wrought iron by Edgar Brandt, signed on the base. The glass is by Daum and t...

Edgar Brandt rare Art Deco Lantern Wrought iron Art Deco lantern, original cathedral glass, doves decor on each side. In very good condition and electrified Measures: Heig...

Art deco coat rack circa 1910 by Edgar Brandt. Stamped Brandt. Wrought iron decorated with ginko biloba leaves. In perfect condition, ready to hang. 2 fixing holes. Height: 34...

Edgar Brandt Pair of andirons circa 1930 in wrought iron. Decor of windings. Both are stamped E.Brandt Total height: 50 cm Length: 43 cm Width: 19.5 cm Weight: 8 kg You can contact ...

Edgar Brandt rare Art Deco floor lamp. Nickel-plated wrought iron floor lamp stamped E.Brandt, alabaster basin. In very good condition. Electrified and with three led bulbs....

Edgar Brandt and Daum Nancy Art Deco chandelier. Art deco chandelier circa 1925 in wrought iron decorated with leaves and windings. Frame stamped E. Brandt. Coupe in blue and cream glass paste signed Daum Nancy. In perfect condition and electrified. Total height: 95 cm Diameter: 50cm Weight: 12 Kg You can contact me for more information and delivery costs. Edgar Brandt was born in Paris in 1880 and studied at the Vocational School of Vierzon. In 1925, BRANDT took part in the International Exhibition of Modern Decorative and Industrial Arts. Following the success of the Salon, the same year, he inaugurated his gallery at 27 boulevard Malesherbes. He exhibits there his creations of artistic ironwork, furniture, sculptures, lighting and decorative objects, but also the creations of other artists with whom he collaborates (Daum, Lalique). The BRANDT gallery will be the first decorative art gallery in Paris. BRANDT is considered the greatest exponent of Art Deco ironwork. He died in Collonge-Bellerive on May 8, 1960. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Edgar Brandt Art Deco chandelier Chandeliers circa 1930 stamped twice Edgar Brandt in wrought iron Nickles. 4 shades in alabaster and 4 bubles led. The chandelier is electrify as ...

Edgar Brandt wrought iron lamp decorated with ginko biloba. Signed E Brandt on the support of the shell Glass paste shell signed Daum Nancy. In very good condition and electrified. ...

Edgar Brandt, mirror dated 12/1932 on the back of the mirror. Remarkable wrought iron work. Stamped E Brandt on the upper decoration. Note a small chip on the glass clearly visibl...

Amaizing hanging lamp Designer: Edgard Brandt Material: iron Style: Art Deco Country: France To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside of Italy, as it is estimated that 70 percent of the inhabitants have at least one Italian descendant, followed by Spanish immigrants. The most Important furniture stores in Argentina: Comte is founded in 1934 (under the direct management of Jean Michel Frank in 1940). Nordiska (Swedish company established in 1934). Churba in 1960, a company that brought foreign designers to present their furniture in the country: Denmark: (Arne Jacobsen, Finn Juhl, Bender Madsen, Ejner Larsen, Poul Kjaerholm, Hans Wegner) Sweden: (Hans Agne Jakobsson, Gustavsberg) United States: (Herman Miller) Finland: (Lisa Johansson, Folke Arstrom, Tapio Wirkkala, Alvar Aalto, Timo Sarpaneva) Swedish Factory: (Orrefors) Italy: (Littala, Vico Magistretti, Emma Gismondi, Gae Aulenti, Angelo Mangiarotti, Elio Martinelli, Gianna Celada, Angelo Mangiarotti, Mario Bellini, Carlo Scarpa) Finland: (Olivia Toikka) Plata Lappas (Lappas Silver): a goldsmith shop founded in 1887 in Argentina by Alcibiades Lappas of Greek origin. In 2019, in Argentina took place “the Art Deco world congress”, in which we participated as hosts invited by Geo Darder, founder of the Copperbridge – Foundation, in which prominent people from all over the world attended to learn about Art Deco in Argentina. Argentina currently has more than 100 Art Deco buildings and another 90 Art Nouveau buildings throughout the city of Buenos Aires. Argentina is a country that has not been involved in many wars, which is why it has been a refuge for works of art and antiques from different periods of time, unlike European countries. That is way many collectors, museums and antique dealers from all over the world visit it, you should not miss the opportunity to visit this great country. Laura Guevara Kjuder, architect. If you want to live in the golden years, this is the lighting that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. If you are looking for sconces to match your ceiling lighting, we have what you need. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Edgar Brandt He was born in Paris on December 24, 1880. His family moved to Orleans when Brandt was 4 years old. At age 18, he graduated the Brevet Technicien Superieur and did two years military service with the 153rd infantry in Nancy. Brandt was awarded a gold medal 1st class, at the Salon des Artistes Francais, and became a member of the vetting team of the organization. In 1904, he was ordered to go to Toul near Nancy for military service. There it became apparent to him that the French Infantry had no light versatile weapon with a long target-range. At the end of the year he returned to Paris with the order to design and make a 60mm mortar and the required ammunition. Trained in the Ecole Professionnelle de Vierzon, he set up an ironmongery in Paris. There he created gates, balustrades, floor lamps and chandeliers in bronze, hammered wrought iron and steel for grand houses and ocean liners. His style was typical for the period with cone-fires, branches, fruits, and even birds and human faces. After the WWI, he created the Tomb of the Unknown Soldier under the Paris Arc de Triomphe. He participated in the famous Exposition Internationale des Arts Decoratifs de 1925 in Paris, making the monumental gate...

Table lamp by Edgar Brandt, made of wrought iron, with alabaster shade. Ginkgo leaves motif. Stamped signature to the foot. Dimensions: Height 54 cm, ...

Edgar Brandt and Daum Nancy wall sconce. Wrought iron fixture stamped with normal signature E. BRANDT. Glass part signed DAUM Nancy. Circa 1910. Fixture excellent condition. Gla...

A stunning pair of French Art Deco hand forged wrought iron Candle Sticks by Edgar Brandt in great condition. Distinctively designed with ex...

French Art Deco table lamp by Edgar BRANDT, France, 1920s. Wrought-iron base. Alabaster shade. Old alabaster cannot be compared to new ones. Old alabaster has veins. Sometimes they c...

A pair of important nickel-plated Modernist table lamps by Edgar Brandt (French, 1880-1960), each featuring an ‘S’ shaped body on a circular base, with two opaque, deeply-etched glas...

We present here an original photograph from an Edgar Brandt's catalog, 1920s. Taken by F. Harand, photographer at 9 rue Duphot, Paris. Measures: Height 10.8" (27.5cm), width 8.7" (22cm). The subject is a little off-center, but this will be corrected by your framer. The photo dates from the 1920s and shows some rare wear and very light transfers. The opposite would be surprising. The condition is really amazing for picture from a catalog that has been used. This photo is taken from a catalog of 69 photos representing a broad view of the entire production of Edgar Brandt's company such as lamps topped with alabaster or, marmorean or acid-etched lampshades from the Maison Daum, floor lamps, chandeliers, mirrors, consoles, photo frames, andirons, firewalls, radiator covers, screens, inkwells, paper knives...

French 1920's rare Art Deco patinated textured iron table lamp with beautiful alabaster shade. Rewired with fabric cord.

Large wall light sconce iron by Edgar Brandt signed without the glass.

Classic French Art Deco console by Edgar Brandt, circa 1925, in forged iron with original marble top. Titled Simplicite,. Stamped E. Brandt and documented. Measures: 55 W x 15 D x...

Art Deco wall sconce by Edgar Brandt. Made of wrought iron with a glass shade by Daum (unsigned) Measures: Depth 7", width 17", height 10.5".

Daum Freres Nancy; Edgar Brandt, Table light, circa 1925, Daum Nancy shade is variegated and mottled art glass with powder fusions of, white, orange...

Edgar William Brandt (1880-1960), four-lighted iron pendant, France, 1930. Signature struck under one of the branches. This luminaire is a fine example of the virtuosity of this art...

Classic French Art Deco ceiling fixture by Edgar Brandt, circa 1922, in hand forged iron with alabaster shades.

Edgar Brandt gingko Biloba Leaves “Fer Forge” Chandelier with 4 Daum tulip glass shades. Original and completed. Signed E Brandt on the ironwork a...

Art Deco wall sconce by Edgar Brandt Wrought iron with a glass shade. Shade signed Daum. Measures: Height 10", width 18.25", depth 6.75".

Master of Art Deco Ironwork, Edgar Brandt designed this refined interior Gate for an Art Deco house by the sea side in the French Riviera. An elegant Scroll...

Wrought iron fire screen by Edgar Brandt. Black patina with gilded accents. Measures: Height: 32", width: 22", depth 9".

Edgar Brandt pair of wrought iron and alabaster wall sconces. Signed E. Brandt. Alabaster shades are old but may not be original.

A French Art Deco table lamp, wrought iron base by Edgar Brandt, with Daum Freres acid etched glass shade.

Pair of massive andirons, circa 1920 A pair of hammered wrought iron andirons, decorated with pinnacles and scrolls. Signed. Measures: H 80 cm (H 31...

An important Edgar Brandt signed Art Deco console. Gilt bronze with original marble top. Signed: E. Brandt.

Console with three shelves/trays by Edgar Brandt (1880-1960). The shelves are made of black relacquered wood. The four squared legs are made of hammered metal in a palm shape. Stamp...

Edgar Brandt & Daum Nancy French Art Deco pair of table lamps, with pierced spherical wrought iron bases and decorated with garland of mistletoe. Marbelized glass shades with or...

Edgar Brandt. French Art Deco floor lamp on a wrought iron base, with mottled orange glass shade by Daum, 1920s. Measures: H 67.7 in.

Elegant French Art Deco wrought iron standing lamp in the form of palm fronds by French Master Ironworker, Edgar Brandt. Literature: See Edgar Brandt, master of Art Deco ironwork ...

Edgar Brandt pair of wrought iron wall sconces. Signed EBrandt. I will clean them.

A beautiful and decorated Art Deco wrought iron chandelier with alabaster shades by E. Brandt. Made in France circa: 1920 Signed: "E. ...

Edgar Brandt, Art Deco Console, Altesse Model, Cast Iron, Black & White Grand Antique Marble Production date: starting 1927 This console has a remarkably sculpted decor of flowers characteristic of Brandt’s flower design, it testifies to his mastery of ironworking and his commitment to hand finishing pieces such as the incised lines along the console’s top edge. This commitment gave his pieces texture and individuality and showcased the handiwork of the craftsmen. An original hammered iron model reproduced in “Brandt exhibition, 1925” and in “Edgar Brandt, Master of Art Deco”, Harry N. Adams, Inc., Editor, New York, 1999, page 117. About Edgar Brandt Edgar William Brandt (December 24, 1882 - May 8, 1960) was a French metalworker and industrialist who was active during the Art Deco period. He was born in 1880 in Paris, and he trained as a metalworker before opening his own workshop in 1902. He quickly gained a reputation for his exceptional metalworking skills, and he became one of the leading figures of the Art Deco movement. Brandt's work was characterized by its innovative use of materials, including wrought iron, bronze, and glass, as well as its striking Art Deco style. He was particularly known for his use of intricate, organic forms inspired by nature, as well as his use of bold, geometric shapes. In 1925 Brandt participated in the Exposition Internationale des Arts Decoratifs et Industriels Modernes organized by the French Ministry of Commerce and Industry to showcase the best of French...