Edgar Hunt Art

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

George Earl was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl,...

Edwin Loder – son of famous artist James Loder – originally enlisted in the 62nd Regiment of Foot in 1846 at the age of 19, serving mainly in India. After 20 years in the Forces, Ed...

Attributed to George Earl, English, 1824–1908Portrait of a Black, White and Tan DogBritish Sporting ArtOil on canvas, circa 1880UnsignedPresented in its original giltwood frame This...

Alfred BENNETT Picture Size: 20 x 30" (50 x 76cm) Framed Size: 27 x 37" (69 x 95) Signed and dated 1865 Titled Staffordshire A wonderful example by the highly collected artist Alf...

Circle of Henriëtte Ronner-Knip (Dutch-Belgian, 1821–1909) Portrait of Companion Dogs and Cats Oil on canvas, circa 1890 Signed lower right Painted in the closing decades of the nin...

Michael Constable (20th Century British School) oil on canvas, framed framed: 28.5 x 34 inches canvas: 24 x 30 inches provenance: private collection,...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

Vincent De Vos Belgian, 1829–1875 Les Saltimbanques (The Acrobats): Portrait of Three Dogs and a Monkey, circa 1870 Oil on panel Signed lower right Original frame A charming and hi...