The Chef and the Wedding Cake, Saturday Evening Post Cover
By Edmund Davenport
Located in Fort Washington, PA
Medium: Oil Painting Signature: Signed Lower Left Satuday Evening Post Cover, May 30, 1925.
1920s Edmund Davenport Paintings
Oil
The Chef and the Wedding Cake, Saturday Evening Post Cover
By Edmund Davenport
Located in Fort Washington, PA
Medium: Oil Painting Signature: Signed Lower Left Satuday Evening Post Cover, May 30, 1925.
Oil
Top of the World, Saturday Evening Post Cover
By Edmund Davenport
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 38.25" x 29.25", Framed 45" x 35" Cover of The Saturday Evening Post Magazine, June 13, 1925 Edmund Davenport was a New Yorker and a successful illustrator in the 1920’s. He painted covers for Women’s Home Companion and The Saturday Evening Post, and at the same time, he worked in the art department of Paramount Studios. At the time of this publication, a young woman’s graduation from college was a rare accomplishment, and the opportunities for employment that required a college diploma, were even rarer. Nevertheless, it was a good reason for this pretty, young woman to be sitting on top of the world in the vicinity of “cloud nine.” “Top of the World” appeared on the cover of The Saturday Evening Post on June 13, 1925. Exhibited: Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014 A luminous and rare Golden Age of Illustration cover...
Canvas, Oil
In the Hands of Time, The Elks Magazine Cover
By Edmund Davenport
Located in Fort Washington, PA
The Elks Magazine Cover, Feb 1926 Signed Lower Right
Canvas, Oil
$1,400
H 24.75 in W 18.5 in D 2 in
A Striking, Post-War Modern Studio Portrait of a Seated Young Male Nude Model
By Walter Burt Adams
Located in Chicago, IL
A Striking, Colorful Post-War Studio Portrait of a Seated Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). The painting a is well executed,...
Canvas, Oil
$1,200
H 18.5 in W 14.5 in D 2 in
A Striking Modern Studio Portrait of a Seated African American Male Nude Model
By Walter Burt Adams
Located in Chicago, IL
A Striking, Colorful Post- War Modern Studio Portrait of a Seated African American Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). The painting a is ...
Canvas, Oil
$1,400
H 33.5 in W 26.5 in D 1.25 in
A Large, Striking 1940s Modern Portrait of a Seated Young Woman in Green Blouse
By Walter Burt Adams
Located in Chicago, IL
A Striking 1940s Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A large, well executed, figurative work by the artist, depicting a young woman fashionably dressed in a green blouse anddpatterned scarf seated in profile in a muted studio interior. Titled "Portrait of Ms. Anderson, Student at Northwestern U." the painting exemplifies the artist's adept and practiced skill at portraiture, and was completed at the painting class of the artist's friend and instructor, Arnold Turtle, in Evanston, Illinois Artwork size: 30 x 23 inches, oil on canvas, accompanied with the original Modernist frame (Framed size: 33 1/2 x 26 1/2 inches). Signed "Walter Burt Adams" and dated "46" lower right. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...
Canvas, Oil
$3,600
H 43.5 in W 35.5 in D 1 in
A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit
By Francis Chapin
Located in Chicago, IL
A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and colorful portrait of a black man seated in a white linen suit, most likely completed during Chapin's trip to Kingston, Jamaica in the 1930s. Chapin exhibited examples of his Jamaican paintings...
Oil, Canvas
$6,500
H 41 in W 32 in
Rare Large Judaica Oil Painting Jewish 2 Rabbis Painting Abram Tromka WPA Artist
By Abram Tromka
Located in Surfside, FL
Abram Tromka ( Polish/ Russian American 1896-1954 ) Hand signed upper center right. Bears label from Marbella Gallery, New York verso "Two Men Praying" (Davening) Dimensions: Sight- ...
Oil, Board, Canvas
Portrait of a Hopeful Boy
Located in San Francisco, CA
It’s the hopeful, intelligent expression that grabs you. Especially in a boy framed by the evidence of abject poverty. How long can he endure? The artist, Roy Little, was described a...
Canvas, Oil
The Red Balloon
Located in Grand Rapids, MI
American, Late 20th Century In the Manner of Lucio Ranucci Signed: Ramsey (Lower, Left) " The Red Balloon " Oil on Canvas 36" x 24" Housed in a 3" Wood Frame with a 5/8" Linen...
Canvas, Oil
$9,500
H 20 in W 24 in D 2 in
Landscape with Artist. Mid-Century Chicago Modernist Oil Painting.
By William Schwartz
Located in Marco Island, FL
Chicago Modernist, William Schwartz, painted this dynamic landscape of an artist painting en plein air. He studied at the Art Institute of Chicago shortly after emigrating to the Un...
Canvas, Oil, Board
$6,500
H 32 in W 32 in D 2.75 in
"The Champ, 1942" Joe Louis "Brown Bomber" Boxer Portrait Ex-Museum Oil Signed
Located in Yardley, PA
“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...
Canvas, Oil, Board
$1,600
H 18.5 in W 14.5 in D 2 in
A Striking, Post-War Modern Studio Portrait of a Seated Young Male Model
By Walter Burt Adams
Located in Chicago, IL
A Striking, Colorful Post-War Studio Portrait of a Seated Young Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). The painting a is well executed, inti...
Canvas, Oil
$5,000
H 30 in W 22 in
SALVADOR DE REGIL 1954 Portrait of Marian Virginia Schuster - Surrealist Artist
By Salvador De Regil
Located in Rancho Santa Fe, CA
Marian Schuster was 19 years old in 1954 and attended City College San Francisco where she studied Art. In the old school, Victorian, San Francisco, moneyed household that she was r...
Canvas, Oil
$3,791
H 28.75 in W 36.23 in D 1.97 in
Incoherence of compulsory ways #1 - Hélène Duclos, Contemporary figurative paint
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...
Canvas, Oil