Edward Steichen Photography

This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...

This is a unique photograph was taken by Warhol in the bathroom at Baur au Lac Hotel in Zurich. Toilets were a common subject of Warhol's photos. This photo is dated 'Mar 9 1982' (on...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photographers in history. Hi...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

Innovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...

The Swiss American photographer and filmmaker Rudy Burckhardt was a robust contributor to the New York art scene as a documentarian and participant, from 1935 until the end of the ce...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

This black and white photograph by Ruth Orkin features five men standing with CBS camera equipment on top of a structure. They appear to be filming out into a large crowd at Times Sq...

Signed by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in., Image size: 11 1/4 x 7 1/2 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours...

Signed in black ink on print margin. Paper size: 16 x 19 1/2 in, Image size: 10 3/4 x 16 3/4 in. "The Mercedes W196 of Stirling Moss practices in the rain on one of the fastest road racing circuits in Europe. Moss teamed with the Argentine champion, Juan Manuel Fangio, as the two drivers spearheaded the Mercedes effort in 1995, dominating the season. This is the open-wheeled version of the W196, a car that Mercedes uses today at historic events around the world to promote its racing heritage." -Caption from "Driven: The Racing Photography...