Silvia Lareo-Vazquez Photography

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

This photograph features John F Kennedy sitting on the back of a convertible with US Representative George McGovern in what at first glance appears to be a parade route in South Dako...

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

This captivating black-and-white photograph, titled Mainbocher Corset by Horst P. Horst, masterfully blends elegance and geometry. The composition features a woman seen from behind, ...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Henry Rox Art Critic (Head Extended on Spring Before Abstract Painting) c. 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso This 8 × 10 inch vintag...

Edition of 3 Signed, titled and dated in pencil on print verso Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to capture the nude, not from a position of who holds the power in the relationship, to more of an examination of form without the whisper of sexuality. I have recently revisited my exploration of nudes, this time only from behind the camera. My revelation is that I perceive the subject as a whole, complex human being, giving me the gift of seeing them profoundly. The performance of photographer and subject is on equal footing as we both work within an area of trust and curiosity. What are we really revealing to the camera as one stands before it? Ultimately the experience connects us not only in our shared experience, but as two women, both bringing a level of acceptance and courage to our efforts. It is exhilarating to change the masculine history of photography into a feminine one. Lisa McCord is a fine art and documentary photographer from the Arkansas Delta...

This silver gelatin print made by Edward Weston's son, Cole, in the 1970s or '80s is titled, numbered, stamped and signed by Cole Weston on the back of the mount.

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Mike Tyson is a legend even beyond the boxing world. This high-contrast black-and-white portrait shows a closeup of his face and chest in profile. He is holding a white dove in front of his face as if to kiss it. Contrasted by the dark background, the bird becomes the focal point of the image. The huge man holding it appears even bigger next to the small bird, yet his gentle gesture toward the bird gives the image a peaceful and meditative vibe. The saturated colors of the broiling desert against the piercing blue of the clear sky or the cool palette of an intimate black-and-white portrait, Michel Comte can do it all. The Swiss star...

Henry Rox (1899–1967) Musician Playing Pork Chop Double Bass c. 1940 Vintage silver gelatin print 8 x 10 inches Estate stamp verso No known negatives extant This 8 x 10 inch vintage...

On assignment for Life Magazine in 1950, Art Shay photographed Marlon Brando at his family farm in Libertyville, Illinois, just north of Chicago. Looking straight into Art's lens, Brando is innocent of the fame that is about to become his world. He went on to a career spanning sixty years including winning two Oscars for Best Actor. This photograph is unframed. Contact the gallery for framing options. Art Shay Brando Portrait, 1950 silver gelatin print 20h x 16w in 50.80h x 40.64w cm ASY12088 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet