Photography

The picture is an edition ( Edit. of 50) and part of a book about NYC, which Kallay done in 1965 for a German book publisher.

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21300 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Josef Sudek Forest of Mionsi 17, 1962 Original gelatin silver print 9 x 14 cm (c. 3.5 x 5.5 in) Dated on the back Signed on the back by Petr Helbich (the assistant of Josef Sudek an...

Fading (Oxana's 30th Birthday) - 2007 from the 29 Palms, CA project 38x36cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signatu...

Victor Arimondi (1942-2001). Portrait of male model Ingolf wearing Torben Hardernberg, ca. 1975. Period print measures 9 x 11 inches. Artist studio stamp on verso. Victor Arimondi ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21368 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 11930 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

'Commissionaire’s Dog' by Kurt Hutton A hotel commissionaire talking to a small dachshund dog in Piccadilly Circus, London, 1938. A beautiful imag...

'Utopian Foyer IV', Italian design Brutalist architecture photograph from Richard Heeps series, A Short History of Milan. There is a reoccurring linear, structural theme throughout ...

Black and White Fine Art Landscape photography. Big black stones on the shore in Madeira, Portugal. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by a...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21082 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Kristine DeBell is a  vintage photo, realized b Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

The Lure Of Lamu by Slim Aarons The resort of Kiwayu Mlango wa Chanu in the Lamu Archipelago of Kenya, February 1987. The resort is run by Governors’ Camp of the Masai Mara. (Photo ...

'Art Deco Greta Garbo' Greta Garbo in 'Mata Hari,' 1931. (Photo: Clarence Sinclair Bull) Beautiful mint condition Giant Archival Pigment print measuring a very large 60 x 40 inches / 152 x 101 cm's Edge Prints...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

The Rolling Stones, taken in 1966 by Art Kane Originally photographed in London by Art Kane for McCall’s Magazine’s 1966 photo essay‘ Teen Idols’, Kane lay on his back and had the b...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 18140 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 18200 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21098 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21187 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Arch...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11810 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21198 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21248 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21200 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Photographic Mosaic Hundreds of tiny, all individual images meticulously placed to create one powerful piece

ABOUT THIS ARTIST: Claudia Hidalgo is a visual artist specialized in photography from Guayaquil, Ecuador. She uses her camera to document her day-to-day life and her ceaseless necess...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21331 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

image size: 8 3/4 x 8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convention...

Cary In Rain (1957) - Silver Gelatin Fibre Print (Photo by Kurt Hutton/Picture Post/Getty Images) 29th August 1953: A model wearing a muff and suit outside Christian Dior's boutiq...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21124 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21319 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Getty Images...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21210 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21180 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21174 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21219 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This limited edition giclée print by Cyd Fontaine explores the language of geometric modernism through a precise arrangement of concentric color fields. Gradual tonal transitions mov...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21229 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Glamorous Group Portrait of the most famous Supermodels of the 90s in the Palazzo Versace, wearing the famous Versace Oroton Chainmail dresses, photographed by Michel Comte in 1994. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. With "Supermodels, Versace, 1994," Michel Comte captured a moment of unparalleled glamour from the world of haute couture. Set against the backdrop of Versace's iconic fashion house, this fine art print immortalizes a gathering of legendary supermodels amid a timeless fashion moment. With his discerning eye for composition and detail, Comte expertly frames the scene, allowing the viewer to witness the convergence of beauty, style, and sophistication. Claudia Schiffer, Carla Bruni, Nadja Auermann, Naomi Campbell, Christy Turlington, Shalom Harlow, Kristy Hume, Linda Evangelista, Nadege Du Bospertus, and Brandi Quinones staged for Vogue in blue and turquoise baroque shades. The saturated colors of the broiling desert against the piercing blue of the clear sky or the cool palette of an intimate black-and-white portrait, Michel Comte can do it all. The Swiss star...

"Silent Grace" The gracefulness of the horses of Sable Island is only intensified by their steadfast, silent gaze that draws you in and embrac...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Unsigned print. Printed on lust...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: xxxx Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs, drive-in movie theaters, radio towers...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: xxxx Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the ...

The picture belongs to. a set of photographs, done by Kallay in NYC in 1965 for a German book publisher.

Deep Inside III #3 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sma...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21032 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: xxxx Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the ...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 18214 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Oasis (Sidewinder), 2005, Edition 3/5, 16 pieces each 48x47cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on Polaroids mounted on Aluminum with matte UV-Protection, based on an expired Polaroids, Artist inventory Number 3001.03 Installation shot at 'Mulholland Distilling' in LA with Danny Fox...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21133 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...