Edwin Georgi Portrait Paintings

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

ARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...

Gloria Vanderbilt Mother and child, ca. 1968 Gouache on paper painting Hand signed by Gloria Vanderbilt lower right recto Unique Frame included Measurements: Framed 37 Vertical by 31 inches. Painting 27 Vertical by 21.5 inches This unique, poignant poignant portrait was done by the legendary Gloria Vanderbilt. It is signed on the front. As this work was done in the mid 1960s, it is believed to be a self portrait depicting the artist, and likely her son, Anderson Cooper. Held loosely in the original damaged vintage Heydenryk frame used by Hammer Galleries...

Lady at the bar by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 13 x 9.5 inches stamped verso very good condition provenance: fro...

The Flamenco Dancer by Georges Regnault (French 1898-1979) signed oil on board, framed framed: 16 x 13 inches board: 11 x 9 inches provenance: private...

Contemporary caricature-style portrait of a man by Michael Pauker (American, b. 1957). Signed "Michael Pauker" and dated 1976 on verso. Acquired with a collection of his work. Image ...

Genre: Judaic prayer scene Subject: Landscape Medium: watercolor Surface: Paper Country: United States EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicenstein Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born his father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic anti Jewish discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...

Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Isra...

Jean La Forgue (French 1901-1975) signed oil on unstretched canvas, unframed painting: 27 x 21 inches provenance: the artists estate, France condition: the painting is on unstretched...

Jean-Gabriel Domergue 1889-1962 French Josianna, jeune femme au ruban (Josianna, Young Woman With Ribbon) Signed "Jean Gabriel Domergue" (lower left) Oil on panel A young French beauty known as Josianna is the subject of this work by Jean-Gabriel Domergue, and the oil on panel is a perfect example of the portraits for which the artist is renowned. His model embodies the concept of the la belle Parisienne: slender, swan-like women bearing an unmistakable grace and style. Domergue includes a delicate pink ribbon around her neck, suggesting a fashionable garment, set against a soft pastel-colored backdrop. The artist's oeuvre encompasses women from all facets of society, from aristocratic figures such as Liane de Pougy and Nadine, Baroness de Rothschild...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Polczer was an Hungarian artist, his foundations of painting were taught by a painter Bertalan Karlovszky. His works were exhibited in the National Salon and the Art Hall from 1928. His works are held by the Hungarian National Gallery. In his later years he worked in the United States, he was working in New Orleans, Louisiana in the late 1960s. Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style nude paintings. In the tradition of Moritz Oppenheim...