Front Entry, (Forest), Large Scale Cibachrome
By Ellen Brooks
Located in Surfside, FL
Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s...
C Print
New York City Skyline With Clouds
Located in London, GB
New York City Skyline With Clouds 2022 by Orbon Alija C print Oversize 30x20" inches / 76 x 51 cm Unframed Framing & different Sizes availabl...
C Print, Color
$1,500
H 24 in W 24 in
'Get Your Motor Running' Rainer W. Schlegelmilch Archive Limited Edition
By Rainer W. Schlegelmilch
Located in London, GB
Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...
C Print
Algarve Sunbathers (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Holidaymakers in the Algarve, Portugal, August 1973 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons Estate. Slim Aarons (...
C Print, Lambda
Slim Aarons Ski Triptych - Verbier, Gstaad, Kitzbuhel
By Slim Aarons
Located in New York, NY
Slim Aarons Ski Triptych - Verbier, Gstaad, Kitzbuhel Lounging in Verbier, 1964 Lounging in Gstaad, 1961 Hang Gliding, 1980 Each 40 x 60 inches Estate signature stamped editions of...
C Print
Massimo Listri 'Palazzo Hercolani a Bologna'
By Massimo Listri
Located in New York, NY
Palazzo Ducale di Massa 1999 C print Edition of 5 180 x 225 mounted on aluminum (production, framing, and shipping takes approximately 4 weeks) Total edition available in three size...
C Print
$4,900
H 72 in W 48 in
Speedboat Landing - Slim Aarons - Giant size - 20th century colour photography
By Slim Aarons
Located in London, GB
'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...
C Print
$5,400
H 40 in W 60 in
Polo Match C Print by Slim Aarons, Estate Signed, Edition of 150
By Slim Aarons
Located in New York, NY
Competitors in a polo match, Argentina, December 1990. Slim Aarons Polo Match 1990 C print (Printed later) Estate signature stamped and hand numbered edition of 150 with certificat...
C Print
$3,950
H 40 in W 60 in
Laguna Beach Surfers - Slim Aarons - colour C print photography - 20th century
By Slim Aarons
Located in London, GB
Laguna Beach Surfers (Slim Aarons Estate Edition) Three surfers with their boards at sunset, Laguna Beach, California, January 1970. (Photo by Slim Aarons) This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'beautiful people in beautiful places, doing beautiful things'. A beautiful authentic LIMITED EDITION Slim Aarons Estate Stamped Edition - limited to 150 only. Numbered in ink & emboss stamped on front. Gorgeous print measuring a very large 60 x 40" inches / ca 151 x 101 cm's. Produced utilising the original transparency held at archive source. Slim Aarons Archive authorized. Supplied with certificate of authenticity. We ship regularly using crating...
C Print
$5,400
H 40 in W 60 in
Armacao dos Buzios, Brazil, 1983, Aarons, Midcentury Modern Photography
By Slim Aarons
Located in New York, NY
Holidaymakers in Armacao dos Buzios, Brazil, January 1983. Slim Aarons Buzios 1983 C print (Printed later) Estate signature stamped and hand numbered edition of 150 with certificate...
C Print
Sarah Marson Williams with a cocktail in Barbados
By Slim Aarons
Located in New York, NY
Slim Aarons Sarah Marson Williamsby C print 30 x 40 inches Estate stamped and hand numbered edition of 150 Sarah Marson Williams enjoys a co...
C Print
Slim Aarons At The Von Pantzs
By Slim Aarons
Located in New York, NY
Slim Aarons Poolside At The Von Pantzs, 1967 Chromogenic Lambda Print 30 x 40 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity. Bathers by th...
C Print
Slim Aarons Estate Edition - Handball In Central Park 1947
By Slim Aarons
Located in London, GB
Slim Aarons Estate Stamped Edition Limited to 150 only Handball In Central Park A group of young men playing handball at a court in the 95th Street playground, Central Park, Ne...
C Print, Color
Front Entry, (Forest), Large Scale Cibachrome
By Ellen Brooks
Located in Surfside, FL
Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...
C Print
Front Entry, (Forest), Large Scale Cibachrome
By Ellen Brooks
Located in Surfside, FL
Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s...
C Print