Emile Bernard Art

Raoul DUFY The Hunt, c. 1910 Original woodcut Signed with the stamp of the artist's studio Numbered on /220 Titled in the board 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condi...

A 1928 woodcut on paper of a self-portrait of notable Chicago Modernist artist, Emil Armin. Artwork size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Signed, titled and numbered in pencil. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...

In the soft embrace of oil pastels, I've lovingly woven a tapestry of pure innocence and wonder. My brushstrokes carry the gentle weight of dreams, as this young muse, with fairy win...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Burning" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Burning", Rizaldy captur...

Figurative painting with animals, mixed media, on a blue background. Figurative animal magic in blue. A shared dream where you and I are one with them. Everything is connected: the v...

This is an original gallery show poster the Boris Mirsky Gallery, Newbury St. Boston. titled Sculpture Prints Drawings. It is dated 1962. it is in red and black. Leonard Baskin (Augu...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889.[2] He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923. Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books. In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irene Gordon was also among his pupils. In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work. Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker, Aaron Bohrod, Fritzi Brod...

JIM DINE Singing and Printing XIII. Unique color woodblock relief print with hand coloring in oil, acrylic, and charcoal and mechanical abrasion on cream wove paper, 2001. 69 3/4 x ...

"Hoopoe: The Crowned Messenger" is a definitive masterpiece by Elena Lukina, capturing the regal and ancient essence of one of nature’s most enigmatic archetypes. Part of the artist’...

Gerald Coles - Original 1958 Woodcut. Signed and dated in pencil lower left corner. On Japan paper. Numbered 3/60. In fine condition. Gerald Anthony Co...

David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...

Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...

A compelling and psychologically charged portrait by Swiss painter René Guinand, signed and dated 1918. Executed in oil on canvas, this striking work depi...

Alexandre-Louis Martin. Belgian ( b.1887 - d.1954 ). Self-Portrait Of The Artist. Oil On Canvas. Signed On The Reverse Of The Canvas. Image size 22.4 inches x 16.9 inches ( 57cm x 43...