Erik Tryggelin Paintings

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The red and yellow underpaint has been allowed to peek through the ...

-These set of 4 paintings would be fully insured during shipping to worldwide. -We offer the original artwork with Artist’s lifetime Warranty. -Free Shipping Worldwide -Frames servic...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Cafés in the streets of Paris portrayed in the dista...

A beautiful oil on canvas painting by the French artist Jean Salabet. This exceptional work captures the prime of his career, depicting vibrant flower vendors along the Arc de Triomp...

Mountain landscape in oil, spring, mountain, Switzerland, impressionist, horizontal "Margelkopf In April" (50 × 40 cm, oil on canvas) is a subtly emotional mountain landscape painte...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

Scottish Bluebells in April/May feature in this contemporary painting of woodlands in the Scottish Colourist tradition. Large, four feet wide in the frame, this artwork brings spring...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

➡️ Moutain Landscape in Autumn) ⬅️ ⏩It is signed A Boulgaric⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐55x46cm / 21.7x18.1 inch w...

This work by Lucien Adrion is a wonderful representation of his impressionistic works depicting the "Pont De La Concorde" bridge across the Seine in Paris with the Eiffel tower in the distance. Using a bright palette of colors, Adrion executes this piece with much attention to detail with figures and cars over the bridge and a man leaning against the edge overlooking the bright water and reflections. There is a boat lower right and we can feel the warmth of the sun contrasted with the cool breeze of the water. The figures are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of fun and enjoyment from that sunny day at the Seine. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent. The piece is signed by the artist lower right and titled on verso, it comes housed in a French giltwood frame with hanging wire on verso ready to be displayed. Art measures 20 x 29 inches Frame measures 25.5 x 34.5 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

In this oil painting, I dove into the raw majesty of the northern landscape, melding figurative elements with impressionistic flair to capture a scene both vibrant and serene. My bru...