Erin O'Brien Paintings

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

Minimalist Abstract Symbols Collection, an elegant small painting series of works on flat canvas and linen. Exploring natural forms and ancient symbols, tones, textures, delicate det...

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

SALE ONE WEEK ONLY "Geostructure IX" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

“Whole” is a series of formal painting explorations with geometry and color as central themes. “Whole” takes its name from the general believe in contemporary society that we all lac...

Minimalist Abstract Symbols Collection, an elegant small painting series of works on flat canvas and linen. Exploring natural forms and ancient symbols, tones, textures, delicate det...

Square composition made on linen canvas with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnish. Does n...

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

“Whole” is a series of formal painting explorations with geometry and color as central themes. “Whole” takes its name from the general believe in contemporary society that we all lac...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...