Esteban Fekete Art

La Jolla - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...

Luis Miguel Valdes (Cuba, 1949) 'Torso III', 2006 woodcut on paper Guarro Biblos 250g. 18.6 x 11.1 in. (47 x 28 cm.) Edition of 20 Unframed ID: 1G200615 Hand-signed by author _______...

Wipe Out - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 more colorways available This masterwork is exhibited in the Zimmerman Gallery, Carmel C...

Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...

Nicolas Party (Swiss, b. 1980) Portrait of a Seahorse Necklace, 2021 Medium: Woodcut on HM-5 gampi-shi Dimensions: 28.3 × 24.1 cm (11 1/10 × 9 ½ in) Edition of 100 + 8 AP: Hand-signe...

"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper 1931 Black and white woodcut print titled "Charge of the Revolutionist Cavalry" by Leo...

This screenprint, Cultured Woman – Tokyo, is a sharp, knowing example of Art Hazelwood’s satirical voice—stylish, unsettling, and quietly biting. The elongated female figure dominates the composition, her body exaggerated into a narrow vertical column that reads as both fashionable and faintly grotesque. Her pose is elegant yet strained, chin lifted, gaze distant, projecting confidence that borders on caricature. Hazelwood’s line work is incisive and deliberate. The woman’s clothing—fur-trimmed coat, patterned dress, high boots—signals cosmopolitan sophistication, while the acid clarity of her facial features undermines any straightforward glamour. Makeup becomes mask-like; refinement tips into artifice. The palette is cool and controlled, reinforcing a sense of emotional remove beneath the polished surface. At her feet, the small dog functions as a critical counterpoint. It echoes her presence while subtly mocking it, grounding the image in Hazelwood’s characteristic irony. The pairing suggests themes of status, performance, and cultural self-consciousness, with Tokyo serving less as a literal place than as a symbol of globalized style and curated identity. Like much of Hazelwood’s work, the print resists easy judgment. It is neither cruel nor celebratory, but observant—a portrait of modern sophistication rendered with wit, skepticism, and a razor-edged sense of humor. Signed and numbered color woodcut from the edition of 15. Modern woman in Tokyo; signed and titled edition of 15. Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

Tim Engelland (American, 1950-2012) Untitled, 1996 Woodcut 7 1/2 x 8 1/2 in. Signed and dated lower right: T. Engelland, 1996 Numbered lower left: 102/200 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Signed proof copy from edition of unknown size. Most of Wolff's prints were done in very small numbers, and each was often unique. Born in 1922 in San Francisco, William F. Wolff ...

Hanaley Macho - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in the captiv...

Black Hat, 2012 Alex Katz Woodcut, on Somerset satin white Signed and numbered from the edition of 25 Printed by Collaborative Art Editions, Tampa Published by Lococo Fine Art Publi...

Beyond The Obsession Lies The Connection - Surfing Art - Woodcut Print By Marc Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse your...