Eugene Martin Landscape Paintings

SCHAEFFER Henri Alexis (1900-1975) Flower Market, Church of La Madeleine, Paris 1900 Belle Epoque. Oil on canvas signed low right Framed by Gault (Fbg St-...

Pair of Views of Villa Medici Vascello are an old master artwork realized by Artist of 17th Century. Mixed colored oil painting on canvas. The View of Villa Medici Vascello toward...

Oil on canvas realized by Fantuzzi in 1952. Hand signed lower left and on rear.

View over the Bay of Naples is an orginal old master artwork realized by Master of Northern Europe School of the second half of 19th Century. Mixed colored oil on canvas. Relined....

Oil on Canvas realized by Walter Einbeck in 1915. It depicts a nymph bathing in a rippling lake, with a knight watching her in the background. The work features divisionist technica...

River Landscape with Boat and two Figures, realized by an artist active in italy in the mid-17th Century. In very good condition, it includes a gilded coeval wooden frame.

Salome with the Head of John the Baptist is a beautiful italian old master painting, realized in the half of 17th century.  Oi...

Landscape is an original modern artwork realized by Fioravante Seibezzi (1906-1975) in the mid-20th century. Oil painting on board. Hand signed by the artist on the lower margin. ...

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

Park is a modern artwork realized by Henri Hamm in 1937. Oil on wooden Panel. Good conditions.

Hand signed by the artist lower left. Realized a year after Sartorio’s journey to Paris with Michetti, it is a beautiful, early example of the sepulchral and pre-raphaelite style wh...

On the Beach is an artwork realized by Renzo Vespignani in 1955. Oil on Canvas, 128x102 cm. It Includes a gilded modern frame. Hand signed and date lower left. Good conditions. Renzo Vespignani was born in Rome on February 19, 1924 to Guido Vespignani and Ester Molinari, great-grandson of Virginio Vespignani, a famous architect. After the death of his father, a surgeon and cardiologist, he had to move very young with his mother to the proletarian area of Portonaccio, adjacent to the San Lorenzo district, where he grew up. He began to paint during the Nazi occupation, hiding with the engraver Lino Bianchi Barriviera, his first teacher. Other important points of reference, which influenced his artistic beginnings, were Alberto Ziveri and Luigi Bartolini while, especially in his first paintings, the influence of expressionists such as George Grosz and Otto Dix seems evident. In 1945 he exhibited his first personal exhibition and began to collaborate with various political-literary magazines (Domenica, Folla, Mercurio, La Fiera Letteraria) with satirical writings, illustrations and drawings. His work, between 1944 and 1948, describes the attempt to resurrect an Italy destroyed by the war. In 1956 he founded, with other intellectuals, the magazine Città Aperta, focused on the problems of urban culture. In 1961 he was among the winners of the Spoleto Prize; an essay was dedicated to the selected artists accompanied by large-format reproductions (black and white and four-color) of the exhibited works. In 1963 a work by him was exhibited at the Contemporary Italian Paintings exhibition, set up in some Australian cities . In 1963-64 he exhibited at the exhibition Peintures italiennes d'aujourd'hui, organized in the Middle East and North Africa. Since 1969, Vespignani has been working on large pictorial cycles dedicated to the crisis of the society of well-being: Imbarco per Citera (1969), concerning the intellectual class involved in '68; Album di Famiglia...