Eva Mueller Art

A passionate furious energy radiates in the ripples of red that overtake the reflection. Intense motion, stirring the water into an explosion of bubbles we encounter “The Trouble”. T...

PROJECT 12:31 [ HOUSE ] by Frank Schott long exposure light drawings using motion graphics of scientific scans to recreate the human form 48" x 69" / 122cm x 175cm edition of 7 ...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

Detail From: The Saints Laurentius and Catherine, Giovanni Gaddi, 1380 painting Berlin Painting Gallery 2008 Two editions available. This 2008 conceptual photograph by German photo...

Streetlights on Manhattans' Sixth Avenure transform into a starburst of kaleidoscope color through an act of creativity from Photographer Mitchell Funk. The emanating light is a m...

Casa de Praia, 2024 by Eduardo Rezende Series: Janela do Tempo Casa de Praia (2024) is part of Eduardo Rezende’s Janela do Tempo series, a body of work celebrated for its striking a...

Taos Mission, New Mexico San Francisco de Asis in Negative Color - The work is Signed dated and numbered lower right, 2/15, Printed Later, and Unframed Printed on Hahnemühle Fine ...

The interplay of light and shadow, greys and magenta, transform a portrait of a flamboyantly dressed young girl into an optically engaging abstraction composed of alternating pattern...

Edition: Limited edition of 15 Size: 45 × 30 cm each (polyptych) Medium: Archival pigment print on Hahnemühle Photo Rag 308 g cotton paper In Tribute to Mira, Eduardo Rezende transf...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Cover, "Mitchell Funk. Color in the 1970's " Signed and dated on lower right, numbered on verso, Edition 3 of 15, Printed later, Printed on Hahnemühle Fine Art paper

Modern Photography Cover, February, 1987 Triple exposure of silhouetted men on a hill, against plexiglass colored shapes echoing the bold iconic architectural curves of the opera h...