Ferdinand Barbedienne Decorative Objects

Signed P. Dubois 1865 and F. Barbedienne fondeur Stamped with réduction mécanique Collas A patinated bronze « Florentine Singer » sculpture, inspir...

After the model presented at the Universal Exposition in Paris in 1878 Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Height without marble base : 116,5 cm Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

Let me say that I feel this is the most amazing clock I have seen in over 30 years. The clock case is signed Barbedienne Paris. The clock works are signed with a medallion from Japy ...

A Monumental and Truly Exceptional French Patinated Bronze Bust of Jesus Christ, Circa 1858, Signed J. Clesinger, Rome 1858 & F. Barbedienne Fondeur This monumental and extraordinar...

OPPOSING PAIR OF BRONZE FIGURES Form our Bronze Sculpture collection, we are delighted to offer this French opposing pair of Bronze Figures Allégorie du Printemps by Ferdinand Barb...

OPPOSING PAIR OF BRONZE FIGURES Form our Bronze Sculpture collection, we are delighted to offer this French opposing pair of Bronze Figures Allégorie du Printemps by Ferdinand Barb...

Illuminating Heritage: An Important "Exhibition" Suite of Four Ferdinand Barbedienne and Louis-Constant Sevin Champlevé Enamel and Ormolu Eight-Light Candelabra/Lamps This monumenta...

An antique and beautiful bronze paperweight by the renowned French artist Ferdinand Barbedienne (1810-1892). This piece is a meticulous representation of the left hand of Maria Pavlo...

An Exquisite Pair of French 19th Century Ormolu and Champleve Enamel / Centerpieces Jardinieres, circa 1875   Rendered in the sophisticated style of the celebrated Ferdinand Barbedie...

Ferdinand Barbedienne, An Exquisite Suite of Three French Ormolu and Champleve Enamel Jardinieres / Garniture C. 1870, The Design Attributed to Louis Constant Sevin. Comprising of t...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

This exquisite bronze sculpture of the Venus de Milo dates to the late 19th century and is a beautifully detailed representation of the iconic ancient Greek statue. With a rich brown...

An exceptional French patinated realistic miniature bronze bust of Jesus Christ, 1858 Signed: J CLESINGER. 1858 and F. BARBEDIENNE FONDEUR, wi...

Illuminating Heritage: An Important "Exhibition" Pair of Ferdinand Barbedienne and Louis Constant Sevin Champleve Enamel and Ormolu Eight-Light Candelabra / Lamps In the realm of de...

This exceptional pair of vases is the result of the collaboration between Louis Constant Sevin, drawer and designer, and Ferdinand Barbedienne, bronze maker and founder of the famous...

Pair of 19th Century French Neoclassical Gilt & Patinated Bronze Candelabras by Ferdinand Barbedienne This magnificent pair of French Neoclassical-style eight-light candelabras, attr...

Pair of Greek style vases made two patina bronze. Each, designed in the shape of a tripod amphora adorned with Hercules heads, is decorated in low-relief...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Vase, C. 1870 In the Islamic / Alhambra taste. The two handled vase in Alhambra form, enameled in rich yellow throughout ...

Grand Tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae...

A finely patinated French antique bronze by Ferdinand Barbedienne portraying a a young boy caressing a large goose. The figure is mounted on an a...

"Diane de Gabies" French sculpture, late 19th century. Patinated bronze with "Ferdinand Barbedienne" foundry marks. Height: 51 cm. Very goo...

Four antique bronze plaques depicting water-nymphs, by Ferdinand Barbedienne French, 19th century. Measures: Height 47cm, width 12cm, depth 2.5cm Finely cast in relief from patinated bronze with parcel gilt patina, these French 19th Century panels each depict a Classical female water-nymph. The relief structure and design is after four panels from the important marble fountain from the Renaissance period in Paris called the Fontaine des Innocents. This was created by the French sculptor Jean Goujon...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

A stunning and high quality pair of French 19th century Renaissance st. ormolu six arm candelabras signed F. Barbedienne. Each candelabra is raised by a triangular base with concave ...

A stunning museum quality French 19th century ormolu, patinated bronze, Rouge Griotte, Coquillier de Bilbao, and Sarrancolin marble statue and original pedestal named "Gloria Victus...

A large and finely cast neo-grec gilt and patinated bronze jardinière by Ferdinand Barbedienne. Signed 'F. BARBEDIENNE'. This rare Jardinière or ...

This is a Ferdinand Barbedienne set of gilt bronze-mounted champleve onyx garniture. It consist of two urns and one large oval vase/jardiniere. The vase...

A sensational and large scale French mid 19th century Louis XVI st. patinated bronze statue of Diana the Huntress, signed by Barbedienne. Diana dressed in classical attire and is rea...

Sculpture in patinated bronze by Ferdinand Barbedienne, 19th century, Napoleon III period. A 19th century patinated bronze sculpture, Napoleon I...

A rare and large pair of neo-grec gilt and patinated bronze amphora vases. Designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Signed ‘F. Levillain’ and ‘F. Barbedienne’. These spectacular floor-standing Neo-Grec vases...

Let me say that I feel this is the most amazing clock I have seen in over 30 years. The clock case is signed Barbedienne Paris. The clock works are signed with a medallion from Japy ...

XIX century Neo-Classic bronze vase by Ferdinand Barbedienne Red marble base Signed France Circa 1850 -1870.

The model of these Etruscan Amphoras has been exposed at the 1878 Paris Universal Exhibition. Each with a waisted neck raised with bearded satyr ma...

A French bronze figure of the Borghese Gladiator, mid-19th century, cast by Ferdinand Barbedienne, after the antique. Base dimensions: 34.5cm...

A fine pair of neoclassical style gilt and patinated bronze nine-light candelabra by Ferdinand Barbedienne, French, Circa 1870.

Signed P. Dubois 1865 and F. Barbedienne fondeur Stamped with réduction mécanique Collas A patinated bronze « Florentine Singer » sculpture, inspir...

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

A Patinated Bronze Figural Group of ‘Gloria Victis’ (‘Glory to the Vanquished’), Cast by Ferdinand Barbedienne from the Model by Marius-Jean-Antonin Mercié (French, 1845-1916). ‘Gloria Victis’ (‘Glory to the Vanquished’). Bronze, gilt and dark brown patina. Signed 'A. Mercié', with foundry inscription 'F. BARBEDIENNE, Fondeur. Paris.' and A. Collas reduction cachet. The integral base titled 'GLORIA VICTIS'. This cast is part of a limited edition by the Barbedienne Foundry. France. Circa 1880. ‘Gloria Victis’ is one of the most recognisable and important works of sculpture of the nineteenth century and a definitive image of France’s historic national identity. The figure of glory, winged and wearing armour, carries a dying young warrior heavenwards towards fame and immortality. The compositional daring of the group must be admired for balancing two figures on the minimal support of one foot, wings spread in the moment before taking flight. Mercié was a student at the French Academy of Rome when the Prussians invaded France in 1870. Shortly after the war had begun, he executed a group depicting the figure of Fame supporting a victorious soldier. When news reached Mercié in Rome that the French had surrendered, he decided to alter his group, replacing the victorious soldier with a defeated casualty, thus transforming an allegory of ‘Glory to the Victors’ into one of ‘Glory to the Vanquished’. Completed in 1872, a year after the defeat of French soldiers against the Prussian army, the statue personifies a defeated but heroic France. The title is also a reversal of the famous formula, ‘Vae Victis’ (Death to the Vanquished), which the Gallic general Brennus exclaimed upon defeating the Romans in 390 BC. The figure of the fallen soldier was thought to represent Henri Regnault, a fellow sculptor of Mercié who was killed on the last day of fighting. Measuring 317 cm. high the original group of ‘Gloria Victis’ was unveiled in plaster at the Salon of 1872. It was bought by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand five hundred francs. The bronze was exhibited at the Salon in 1875 and first placed in Montholon Square in the 8th arrondissement. In 1884 it was transferred to the courtyard of the Hôtel de Ville and in 1930, it entered the collection of the Musée du Petit Palais, where it can be seen to this day. The Thiébaut Frères foundry also cast Gloria Victis bronzes for the cities of Niort (requested 1881) Bordeaux (requested 1883), Châlons-sur-Marne (today, Châlons-en-Champagne; requested 1890), and Cholet (requested 1901). In 1905, the Danish brewer and art collector Carl Jacobsen was permitted to have an exact cast made of the original sculpture in Paris, on condition that the base was made 2 cm lower and bore the inscription “Original tilhører Paris By” (The original belongs to the City of Paris). It too was cast by the Thiébaut Frères foundry. Gloria Victis was one of Jacobsen’s most important and his last acquisition. Today it has been returned to its original position in the Winter Garden at Glyptoteket, Copenhagen, Denmark. The full-size plaster was shown again at the Paris Expositon universelle of 1878 alongside a bronze reduction by Barbedienne. By this time Antonin Mercié had entered into a commercial edition contract with the Ferdinand Babedienne foundry to produce bronze reductions of Gloria Victis, his most famous work. Gloria Victis is first recorded to have been produced in three sizes and by 1886 Barbedienne’s ‘Catalogue des Bronzes D’Art’ lists six sizes measuring 3/5, 9/20, 7/20, 3/10, 6/25 and 2/10, of the original. These reductions were produced by an invention of Barbedienne’s business partner Achille Collas. The Collas reducing machine was a type of complex mechanical pantograph lathe that enabled sculpture to be mathematically measured and transcribed to scale, in the round, thus making a reduced size plaster from which a bronze could be cast. Mercié's modern sculpture had become an instant classic, even receiving an entry in the Nouveau Larousse Illustré. The success of the group undoubtedly lay in the fact that it was admired not just on an aesthetic level, but also on a patriotic level, particularly in its commemoration of heroism in defeat. Immediately ‘Gloria Victis’ was recognised as a national artwork, capable of arousing patriotism and casts were ordered from Barbedienne as local memorials commemorating the war’s dead for cities across France. ‘Gloria Victis’ was considered so much a part of France’s national identity that for the 1900 Paris Exhibition, Ferdinand Barbedienne’s nephew Gustave Leblanc, loaned a bronze example to feature as part of l’Exposition centennale de l’art français. Literature: For an interesting account of the process of creating a reduction in bronze of the Gloria Victis by Barbedienne and illustrations of the casting and finishing of the bronze see: 'Ferdinand Barbedienne': Theodore Child; Harper's new monthly magazine, Volume 73, Issue 436, September 1886. ‘Contemporary French Sculptors’: The Century, Volume 33, Issue 3, Jan 1887. ‘Modern French Sculpture’: Harper's new monthly magazine, Volume 76, Issue 452, January 1888. S, Lami, ‘Dictionnaire des sculpteurs de l'Ecole française au dix-neuvième siècle’, Tome III. G.-M., Paris, 1914, p. 432. Peter Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North...

A stunning and extremely high quality French 19th century Louis XV st. ormolu wall mounted clock and barometer signed by Barbedienne. Each is set in...

This exquisite pair of 19th-century bronze candlesticks is made by the renowned French foundry F. Barbedienne et Cie, known for its superior craftsmanship and attention to detail. Ea...

A bronze and gilt bronze 'Warwick' vase by Barbedienne, Paris, circa 1870, modeled after the original, the masks between the entwined vine handles, egg-and-dart rim, with grapevine d...

Set of four spelter plaques by Ferdinand Barbedienne French, late 19th century Measures: Height 45cm, width 12cm, depth 0.5 cm This set of four pla...

Signed F. Barbedienne Charming pair of small vases in gilded and enameled bronze, with orientalist decoration of arabesques and polychrome foliage on a blue background. They are dec...

A handsome and high-quality Italian 19th century patinated bronze statue of Apollo, signed F. Barbedienne, Fondeur. The statue is raised by a circular base with a finely detailed tre...

An unusual pair of mid-19th century French bronze and ormolu candlesticks, having grape and vine nozzles raised on swaged, fluted tapering stems surmounted by classical busts of man ...

Signed F. Levillain Fecit and F. Barbedienne Pair of Greek style vases made two patina bronze. Each, designed in the shape of an amphora with a flare...

French mantel clock by Ferdinand Barbedienne consisting of a terminal clock in the form of a fluted column in white marble and de...

A stunning and extremely high quality pair of French 19th century Louis XVI st. Belle Époque period Rouge Griotte marble and ormolu urns, signed Ferdinand Barbedienne. Each most impr...

An Exceptional Exhibition-Quality Bronze Coupe By Ferdinand Barbedienne The largest bronze coupe available from the famous foundry, this patinated and parcel gilt vessel was especia...

A Fantastic 19th century French Islamic/Orientalist Style Champleve Enamel Vase and Underplate, Signed F. Barbedienne. The wide-mouthed vase terminates down a narrowing body and is m...

Bronze vase of balustrades forms a relief of a musical and a shepherdess in an entourage of foliage and birds, resting on a pedestal area of a lezard and a surouris standing over red...

Antoine-Louis Barye (French, 1795-1875). ‘Éléphant du Sénégal’ (‘Senegalese Elephant’). Patinated bronze. Cast by Ferdinand Barbedienne, Paris, from the model by Antoine-Louis B...

A fine quality large Neo-Grec gilt bronze-mounted and Champlevé enamel decorated onyx Jardinière by F. Barbedienne Maker: Ferdinand Barbedienne (181...

Marble, gilt, and patinated bronze three-piece clock set by Barbedienne French, late 19th century Measures: Clock: Height 93cm, width 60cm, depth 28cm Candelabra: Height 97cm, width 46cm, depth 33cm This monumental marble, gilt, and patinated bronze three-piece set is a stunning example of Barbedienne's craftsmanship during the Parisian Belle Époque. Paul Dubois' 'Le Courage Militaire...

A handsome and high quality French 19th century Louis XVI st. Ormolu and black Belgian marble centerpiece, signed F. Barbedienne. This stunning centerpiece/tazza is raised on a circu...

A fine pair of 19th-century Bronze and Gilt Classical Vases By Ferdinand Barbedienne 1810-1892. Each is unique with male nude figures in classical Greek poses playing music and ad...

Fine pair of parcel-gilt and patinated bronze neo-grec bronze vases and rouge griotte marble. Designed by Ferdinand Levillain, cast by Ferdinand Barbedienne. Signed 'F. LEVILLAIN' , ...

A bronze Statuette of Arlequin by Charles-René de Paul de Saint-Marceaux Cast by Barbedienne. The mischievous Harlequin, arms crossed in contemplation, wearing a grin and a mask, tr...

An antique bronze sculpture depicting Hebe and Jupiter's eagle, after Laurent-Honore Marqueste. Dating to circa 1890, the statue depicts a female figure standing nude on a rocky out...

This large patinated bronze antique sculpture depicts the Classical figure Penelope, the wife of Odysseus (Roman name Ulysses) who appears in ...