Ferdinand Barbedienne " Diana" Sculpture, 19th Century

BARBEDIENNE ART NOUVEAU ONYX CLOCK EXCELLENT CLOCK OF THE XIX CENTURY MADE IN ONYX AND BRONZE BY BARBEDIENNE-SIGNED ON THE CLOCK AND ON THE CUP ART N...

It is the sculpture of a woman covered with a draped chiton, probably representing the goddess Artemis and traditionally attributed to the sculptor Praxiteles. Found in the ancient t...

Important Italian sculpture "Diana Gabi" Carrara marble 19th-20th century Very good condition.

Serpentine sculpture. 19th century. It represents the abduction of Sabina and is made in Rome-Italy in the nineteenth century.Measures: 98 cm high.

Sculpture in patinated bronze by Ferdinand Barbedienne, 19th century, Napoleon III period. A 19th century patinated bronze sculpture, Napoleon I...

This exquisite bronze sculpture of the Venus de Milo dates to the late 19th century and is a beautifully detailed representation of the iconic ancient Greek statue. With a rich brown...

Antique Patinated Bronze Sculpture of Diana by Ferdinand Barbedienne French, late 19th Century Dimensions: Height 60cm, width 22cm, depth 22cm This...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...