Fernand de Launay Art

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Jean-Auguste-Dominique Ingres (Montauban 1780 – Paris 1867) Apelles holding his palette and brushes Late reinterpretation after The Apotheosis of Homer – c. 1860 Black chalk, stump...

Study for the Head of an Apostle or Saint Artist: Enrico Reffo (1831-1917) Medium: Charcoal and white chalk on colored paper Dimensions: [To be specified] Date: Late 19th - Early 20...

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed). This penetrating and wonderfully executed self-portrait, is all the mor...

1942 Calendar illustration featuring the First Lady of Haiti (Madame Elie Lescot]) rendered in a precise stipple effect and celebrating African-American women which was titled "Twelve American Women." It was executed during the hight of World War II. Lois Mailou Jones...

Jairo, 2016 by Celso Castro-Daza Watercolor and ink on archival paper Image size: 53 H in. x 36 in. W Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Elizabeth Zanzinger's (US based) "Self Portrait" is a graphite drawing that depicts the artist. Elizabeth Zanzinger is an award-winning painter with an enthusiastic international following. She developed her artistic voice through her studies at the Aristides Atelier and Gage Academy of Fine Art in Seattle. Elizabeth finished her education with a fellowship award (Grand Prize, 2nd Annual Utrecht Art...

Juventus Football Player, UEFA Champions League Triumph, 1996. Cm 72 x 50 Technique: Charcoal on paper, signed and dated '96 Author: Marco Silombria (Savona, 1936 - Albissola, 2017...

Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...

Colorful watercolor of Reverend Gary Davis (aka "Blind Gary Davis") by Santa Cruz artist Brian Rounds (b. 1968). Set against a bright orange background, Dav...

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Mother Holding Baby", Figurative/Academic Drawing signed on Paper, 14 x 8, Early 20th Century Colors: White, Black "Untitled: Mother Holding Baby" is a Figurative/ Academic Drawing signed on Paper. Among our Gilroy collection of drawings, this particular work is unique due to its original grid markings included here within. As one can view among our details, the drawing has visible age markings and 3/4 of the perimeter rear of the work has tape. Nevertheless, as with all his figurative graphite works, a wonderfully drawn piece of a Mother cradling her infant child. John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts. In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.He worked with Dorothy L. Sayers. He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...