Fernando Botero More Art

Amour by Courtney Kinnare 2024 Resin, Acrylic, Ink, & Pigment Powder on Mirrored Glass Dia 24" These functional art pieces build a color story through multiple layers of transluc...

This artwork titled "Generation Gap" c1978 is an original Cliche Verre on paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and inscribed artist proof in pencil by the artist. The image size is 8.75 x 11.75 inches, sheet size is 10.75 x 13.65 inches. It is in excellent condition, two small pieces of hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...

Color etching and aquatint, 1970. Signed by the artist in pencil, lower right. Numbered 2/50 in pencil, lower left. Titled in pencil, lower central. With the artist's blind stamp, l...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Mary Dambiermont (Belgian, 1932-1983) Rythme Solaire Hand woven wool tapestry Woven at Ateliers Chaudoir et marque de Bruxelles Mounted in a wood frame Mary Dambiermont (Belgian,...

"Ex Libris Kohtla-Jarve" is an original Modern Artwork realized in France in the Second Half of the 20th Century. Original Ex Libris. Hand-signed by the artist in pencil on the lowe...

Ex Libris Leili Ja Juhan Muur is an original Modern Artwork realized in Germany in the 20th Century. Original B/W Woodcut print on ivory-colored paper. The work is glued on cardb...

Prakash Karmakar – Untitled 28 x 20 inches (unframed size) Acrylic on Paper, 2004 ( Unframed & Delivered ) In this bold acrylic on paper, Prokash Karmakar juxtaposes a dyna...

This elegant oval bowl by Otto and Gertrud Natzler features one of the couple’s most appealing mid-century glazes: a softly textured robin’s-egg blue with subtle tonal variation. Mea...

Scènes Parlementairesis a suite of original lithographs by Honoré Daumier (Marseille, 1808 -1879, Valmondois), realized in 1850. Published in Paris. Original Edition. Format: in ...

The paintings of Roberto Melli is a vintage Catalogue issued by Galleria della Cometa for the painter's third year of exposure at the Galleria della Come...

Physiologie du Flaneur is an original modern rare book illustrated by Honoré Daumier (1808, Marseille, France — died February 11, 1879, Valmondois) and published in 1841. Published ...