FEROS Animal Paintings

Surreal Dreamlike Village Scene with Figures, Dog & Moonlit Sky by British Artist, John Charlesworth (British, b. 1947) Art measures 7 x 5 in (17.8 x 12.7 cm) Fram measures 10 x 8 i...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 36" x 60" It is unframed. A certificate of authenticity will follow d...

Mary Spain (American, 1934–1983) Janet and Bill, 1970s Oil on canvas Signed middle right, titled verso 26 x 30 inches 32.5 x 36.5 inches, framed Set in a realm of fantasy, Mary Spai...

Paul Riba (American, 1912-1977) Rhino Oil on paper Signed lower right 22.5 x 29 inches 27.5 x 34.25 inches, framed Paul Riba was a painter of Magic Realism. He explored the unreal ...

Paul Riba (American, 1912-1977) Walrus Oil on paper Signed lower right 29.25 x 24.5 inches 34.75 x 30 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

Sybiline's (CAN based) "Lady in Black" is an original, handmade oil painting that depicts a black cat with green eyes wearing a black veil and blue pearl...

"Cuddly Snout" by Rudolf Kosow is a stirring piece that captures the tender relationship between a human and an animal, portrayed through the striking close-up of a pet dog's snout, with a person resting peacefully against it. The animal's facial features are rendered with exquisite attention to texture and detail, each whisker and patch of fur beautifully accentuated. The small figure of the person, leaning with an air of contented ease against the snout, is a testament to the comfort and solace that animals provide. This closeness conveys a shared moment of rest, an unspoken bond of trust and affection that needs no words. The artwork’s title, "Cuddly Snout," encapsulates the warmth and gentle nature of this interaction, highlighting the simple, pure connections that form between the hearts of humans and animals. Kosow’s work invites us to reflect on the soft, quiet moments that we cherish with our pets, those times of closeness that bring us joy and comfort. It’s a visual homage to the silent, heartfelt communication that deepens our bonds with the animal companions who grace our lives. This painting is a tender reminder of the unconditional love and comfort that our furry friends bestow upon us, often becoming a serene haven in our lives. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Please note; THERE IS NO CHARGE FOR THE BEAUTIFUL GOLD FRAME. In this painting, inspired in response to ecological disaster,Audrey Anastasi has shifted her focus away from naturalis...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Our Tracks Will be Concealed

Sybiline's (CAN based) "Unum" is an original, handmade oil painting that depicts brilliantly detailed purple iris blooms with several bees cavorting nearby. About the Artist: Sybi...

Nathan Durfee's "Getting the Eye of the Tiger" is an original oil painting depicts a cat in headphones perched on a radio. Artist bio: Nathan Durfee has garnered notoriety for his...