Frances Tipton Hunter Art

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Gouache on paper by the native american artist Mopope. Dimensions framed: 35x28 cm. Stephen Mopope was born on 27 August 1898 near the Redstone Baptist Mission on the Kiowa Reservation in Indian Territory. Qued Koi was his Kiowa name, which translates as "Painted Robe," and is sometimes spelled, "Wood Coy." His maternal grandfather was Appiatan, a famed Kiowa warrior, and his great-uncles were Silver Horn and Oheltoint (Ohettoint), both of whom were accomplished artists. Oheltoint was one of the Fort Marion ledger artists.[1] Mopope's paternal grandfather was a Spanish captive, adopted by Kiowa chief Many Bears. When Mopope was a young child, his relatives observed him drawing pictures in the sand, so the artists in his family taught him how to paint on hides in the traditional manner. His grandmother was also instrumental in his early education. In 1916, Mopope attended St. Patrick's Indian Mission School in Anadarko, Oklahoma, where he received further art instruction under Sister Olivia Taylor, a Choctaw nun. In a move that contradicted US federal policy at the time, Susan Peters, the Kiowa agency field matron, arranged for Mrs. Willie Baze Lane, an artist from Chickasha, Oklahoma, to teach painting classes for young Kiowas in Anadarko. Recognizing the talent of some of the young artists, Peters convinced Swedish-American artist, Oscar Jacobson...

A young Eskimo child is depicted at the precise moment before he/she launches an arrow to the sun. According to Eskimo lore, the concept has deep symbolic meaning. To the viewer, t...

ROMARE BEARDEN 1970-1980 THE LAMP Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excellence", printed in 4-color offset lithography...

This contemporary surrealist painting depicts a blue bird perched atop a silver and blue round teapot. The reflection of a room in a round steel teapot offers a highly curved, disto...

Notice -- This is NOT a poster in a tube like many items you see for sale on 1stdibs. This is a giclee on professional CANVAS and arrives to you READY TO HANG on your wall. This piece is on 1.5 inch museum-quality stretcher bars. What a great gift for the Lucy fan! Rich Conley is regarded as one of this generation's foremost caricaturists. Conley is an authorized, licensed artist of The Three Stooges (C3 Entertainment) and I Love Lucy...

Signed lower right, 'Nura' for Nura Woodson Ulreich (American, 1899-1950) and painted circa 1935. This early twentieth-century painter, lithographer, muralist, author, poet and ill...

About this work: A superb example from Crite’s celebrated Neighborhood Series, this work is both a vibrant portrait of everyday life and an irreplaceable record of a vanished Boston ...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Raymond Johnson (1915-1997). Cover Illustration for If Hate Could Kill, 1960. Gouache on illustration board, image measures 13 x 21 inches. Illustration board measuring 19.5 x 26 ...

William Keith Western Wilderness Interior Signed lower left Watercolor on paper laid on artist board 14 1/2 x 19 inches A native of Scotland, William Keith became in the late 19th ...

Scottish artist Robert Carrick (1829-1904) is renowned for his landscape and figurative paintings in oil and watercolor. This painting features detailed drawings of figures in the foreground with wagon, and the town and scenery in the background, painted over in watercolor in rich raw umber and red-brown tones in the foreground and blue green tones in the background. Carrick showed promise at a young age, exhibiting his work at the Royal Academy age 16. He was a member of the Royal Institute. This two-toned watercolor work has detailed figures, wagon with hay in the forefront above a view of Dunoon town near Glasgow as it was long ago. Signed by the artist, lower left with an inscription that reads: 'View of Dunoon, Argyllshire drawn by Robert Carrick, Glasgow, for David Allan'. Verso includes a copy of the same inscription. Saltire Gallerie replaced the cracked and dirty plain glass with art glass and added an acid-free paper behind the work. While doing this work we found an art giclee, included with the painting. Presented in a patterned wooden frame with art glass. Dunoon was a thriving town on the river at the time of this work, and later became part of Glasgow. The view from above the town is a popular one, as Saltire Gallerie has another view of Dunoon from above by Scottish artist Patrick Downie...