François-Christophe-Armand Toussaint Furniture

A 19th-century patinated bronze figure of the Berlin Adorante, or Praying Boy. The piece is a reduction of the Hellenistic-era original, currently in t...

A 19th century French silver patinated bronze borzoi on a cream marble base. A beautiful depiction of this sleek handsome dog. In very good condition wit...

Antique 19th century French patinated bronze bust of Ariadne retailed by Tiffany & Co. Beautiful Grand Tour model mounted on a gilt bronze and rouge marble plinth. Marked Tiffany & Co. with inventory number. The Antinous bust based on the Lansdown Antinous marble found at Hadrian’s Villa...

A Patinated Bronze Figure of Mercury, Late 19th Century Provenance: Private Australian Collection. Description: Modelled after Giambologna’s most celebrated work, the figure of Me...

A charming and high quality true pair of French 19th century patinated Bronze and Ormolu statues, signed H. Ferrat. Each stunning bronze is raised by a square Ormolu plinth below a c...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A pair of heavy patinated bronze sculpture candelabra, France, mid-19th century. Two female sculptures holding a candleholder raised on a b...

A fine pair of French 19th century gilt bronze and patinated bronze figural four-light candelabra, each modeled as a baby Bacchus, in the form of a child faun, seated on tree trunk a...

A pair of heavy patinated bronze sculpture candelabra, France mid-19th century. Two female sculptures holding a candleholder raised on a br...

Origin: France. Period: 19th century. Material: Bronze.

A pair of 19th century patinated bronze sculptures following the renowned "Marly Horses" created by celebrated baroque sculpture Guillaume Coustou. This pair is inscribed "Coustou" o...

A magnificent 19th century French Louis XVI style gilt and patinated bronze clock depicting mother and child, by Raingo Frères, Paris. The dial marked: Raingo Fres, A Paris. Circa ...