Francois Morellet Furniture

François Rude (1784-1855) attributed to "Female Figure". Bronze sculpture, signed. Measures: Sitting on a wooden base. Height: (sculpture) 82 cm. He...

19th century mid-Edo period Japanese four-panel miniature screen. Depicting a beautifully painted Chinese blue and green landscape in the Nanga School...

François Gilot original lithograph 'The Reader'. From the poetry book "Pages d'Amour" by André VERDET, editions Raison d'être, 1951, printed by Mour...

François-Xavier Lalanne (1927-2008) Pegasus, 2005 Techniques : etching and soft varnish heightened with coloured pencil , hand signed in pencil by François Xavier Lalanne, in perfe...

Concert poster of Sun Ra on tour at Larry's Hideaway in Ontario, Canada, in September 1983.

Color on silk, Scroll head: wood Size: Image size: 680(W) x 1600(H) [mm] Scroll mounting: 850(W) x 2300(H) [mm] Box size: 100(W) x 100(H) x 940(D) ​​[mm] 1.8kg A very well-writte...

François Collette or Colette (1936-2024, France) : "Stabile" Hand made and welded mobile sculpture made of chrome plated metal Signed "FC" and dated "75" (1975) Dimensions Height...

François Gilot original lithograph 'String Games'. From the poetry book "Pages d'Amour" by André VERDET, editions Raison d'être, 1951, printed by Mou...

Original vintage travel advertising poster for Qantas super service at your command! Australia's international airline Qantas Empire Airways Ltd in association with British Overseas Airways Corporation BOAC and Tasman Empire Airways Ltd. Great mid century illustration featuring a smartly dressed smiling lady walking past a line of Qantas cabin crew wearing blue uniform with suitcases bearing luggage labels on the side, a man in a brown suit and hat following her and more passengers disembarking a Qantas Lockheed Constellation plane with an Australian flag...

This work is inspired by the sea and the sky, uses golden leafing as a creative point, framed in paulownia wood originally used for a kimono chest-of-drawers. In this artwork, the aim was to capture the splendor of Japanese nature, showing the sea, sky, and forests. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life. I used two pieces of kimono that could no longer be used as clothing and bark that would normally be discarded to create the ultimate upcycled piece. The marriage of Japanese natural materials - silk, paulownia (frame), and pine (branch slices for the center decoration) - and Japanese natural patterns - blue ocean waves and clouds - expresses the magnificent beauty of Japanese nature from various angles. The central golden leaf decoration stands out as a distinctive feature of this work. The piece uses the concept of "kintsugi" - it "unites" the pieces of antique kimono back together with golden leaf to give it a second wind as art work. << Period / Story >> The kimono used in this piece was originally crafted during the late Showa period (1960-80ies). << Explanation and meaning of pattern and colors >> The kimonos on this canvas have been creatively repurposed into interior artwork. The one on the left represents ocean wave pattern. Seigaiha waves is regarded as a pattern of good fortune, embodying wishes for eternal happiness and a tranquil life for future generations. The fabric on the right is embellished with cloud patterns woven in various techniques. Clouds, with their ever-shifting shapes and colors, have long intrigued people as signs of big events or omens. << Characteristics of the fabric >> The kimono used for a part on the left has a lustrous, ivory-colored ground that serves as a backdrop for the vibrant ocean wave pattern expressed through the ground pattern. On the right fabric, the cloud pattern is beautifully rendered by dyeing both the plain fabric and delicate patterns. This is achieved through the so-called "Yose-komon" technique, where each cloud is adorned with small patterns such as hail, sharks skin pattern, and other intricate details. Edo komon, created using a refined and advanced dyeing technique that appears as a solid color from a distance, originated during the Edo period (1603-1868) and remains highly popular as formal kimono attire to this day. << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Extraordinary Japanese contemporary two panel "byobu" or folding screen featuring genryoku style handcrafted silk raised kimono Japanese decorative art in Purple, blue, black and ora...

An extraordinary hand painted Tibetan Thangka featuring the greatest compassion Goddess Green Tara. Her round face with large kind eyes, above closed lips, all flanked by long pendul...