Frederick Rondel Art

From glorious observations of the everyday to the surreal, Julie Fleming-Williams’ work is as eclectic as it is engaging. Julie has exhibited at the Royal Academy and her paintings h...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart o...

The scene of Christ carrying the cross is imagined in a rocky landscape. Two soldiers press the cross onto his shoulders, another leads him, holding the rope. A line of soldiers and prisoners moves from right to left. In front of them the three Marys kneel and pray for Christ. A nursing woman, symbol of Caritas, sits in the right foreground. Some dogs and playing kids enliven the scenery. Simon de Vos was born in Antwerp, and was first taught by Cornelis de Vos...

A wonderful image of an English country cottage set in a meadow with cattle grazing. Franklin White (1892-1975) A cottage in the countryside Signed with initials and dated (19)32 Oi...

Max Usadel (ca.1880-1950), Temple of Paestum, dat. 1912 View of the temple of Paestum with two ox carts in the foreground. The setting sun creates a dramati...

Henri PAILLER (Poitiers 1876 - Triel-sur-Seine 1954) Snow in Triel sur Seine Oil on canvas H. 54 cm; L. 73 cm Signed lower left Provenance: Private collection, Vienne A native of Poitiers in Vienne, Henri Pailler shows serious drawing skills. Noticed by Edmond Petitjean, the young man was sent to Paris to complete his training at the Beaux-Arts under the aegis of the great Léon Bonnat. First of all accustomed to a style and a very academic palette, the young painter quickly branched off from this classical art which he hardly liked. From the beginning of the century he moved towards Impressionism which he deployed within the Crozant school thanks to his meeting with Armand Guillaumin who took him to paint on the motif in 1901. Residing in Poitiers until the At the dawn of the great conflict of 1914, Pailler sent to the Salon many landscapes of the Creuse where the liveliness of colors was more and more felt. It is precisely following the meeting with Dufy and Marquet that a fawn side appears in his compositions, but after a few years he instinctively returns to his love for impressionism by keeping a generous amount of hues on his palette. On his return from the war, Henri Pailler joined Roubaix where he was appointed workshop professor at the School of Industrial Arts. On his retirement he will settle on the banks of the Seine in Triel-sur-Seine, of which he will realize many views with the talent and the colors so appreciated by this painter considered to be one of the greats of Crozant. Throughout his career, Pailler will travel through France and regularly in Périgord, from which he will bring back many works by Bourdeilles mainly but also Brantôme. From the 1920s, the painter will present views of Triel-sur-Seine in the Yvelines in various salons. This town, whose church with its distinctive silhouette will be the playground for Pailler's easel until his death. Our painting undoubtedly made in the 1920s is a striking winter image...

This exquisite painting, attributed to the circle of Charles Antoine Coypel, presents a mythological scene. Though the artist remains unknown, the work clearly echoes the style of th...

A major, mid century modern work by French artist Claude Dechezelle (1928-2003). Having studied with the art deco painter and designer Jean Dupas at ...

Northern painter active in Rome in the second half of the 17th century, View of Ponte Milvio Oil painting on canvas 73 x 97 cm in coeval Roman Salvator Rosa frame.

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

Juan Soler (1951) - San Fermin - Oil on board Oil measures 60x90 cm. Frameless. He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro Palmero...

François-Edme RICOIS (Courtalain, 1795 - Mareil-Marly, 1881) View of Châteaudun Oil on canvas H. 65 cm; W. 98 cm Signed and dated lower center 1860 François-Edme Ricois although bor...