Unknown Portrait Paintings

Antique portrait oil painting of one of Napolean's French Dragoon Imperial Guard. The Imperial Guard was a small, elite army, directly under Napoleon's control and was a regiment of...

Portrait miniature, French, 19th century of a fine lady, oil on vellum on card. The miniature is not signed but is of very good quality. Presented in a period wood frame with a chase...

'Hidden Portraits III', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

A wonderful antique portrait oil painting of one of Napolean's 10th Line Infantry Regiment wearing a Shako hat which dates from the beginning of the 19th Century. A well painted mil...

Madras School C 1910 Acrylic on board 11.5" x 8" Address on verso This painting dating to the early 20th century, c 1910, shows a young woman, possibly from Madras (see info on reve...

18th Century European Portrait of an Angel, Oil on Canvas Unsigned 19 x 14 1/4 inches This lovely and sensitively painting has been examined by a professional restorer who was forme...

This refined oil painting is a contemporary work executed in a classic Old Master and Victorian revival style, depicting an elegant young woman in a flowing pink gown within a richly...

19th-century French school Portrait of a Man with a Hat oil on canvas 58 x 45 cm in good condition, recently relined Framed (some minor damages to the frame) 80 x 67 cm This beaut...

Antique portrait of a woman signed by the artist M. L Bouvet in the lower right, 1800s French school. A woman looks sideways, frilled red hat and blue dress on a dark background. A...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

Vintage American impressionist landscape oil painting by Oscar Fehrer (1872 - 1958). Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 27 by 23 i...

A finely executed portrait miniature in oil on copper depicting a gentleman dressed in a black gown and white lawn collar. The piece is dated verso 1660 and the sitter was likely ass...

Elegant 18th-Century French Portrait of a Young Lady This refined and captivating portrait depicts a young lady rendered with remarkable sensitivity and grace, characteristic of th...

Young man portrait with Paris cityscape. circa 1930. Oil on paper with stamp « ..Montmartre 33, Bd Clichy… » A young man, dressed in an elegant coat and hat, is evidently painted a...

Echoes of the Atelier III, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

Portrait From The Dutch School, Circa 1670, Young Lady In A Garden Before A Balustrade. Dutch school, ca. 1670. Gouache on parchment laid down on a wooden support (oak). Dimensions...

'Hidden Portraits I', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ar...

Echoes of the Atelier IV, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

Portrait of an Edwardian Dandy Gentleman, 2003. Acrylic on canvas, 16 x 20 inches. Signed with monogram and dated lower right.

French school circa 1830-1840 The Hunter Oil on canvas H. 38 cm - L. 46 cm Frame : H. 52 cm - L. 59 cm Very good condition Staring fixedly, leaning on his ammunition box, the hunte...

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

'Prisms of Identity: A Portrait Series V', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

Echoes of the Atelier I, acrylic on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor fro...

Vintage American modernist portrait oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 48 by 50 inches overall. Handsomely framed in...

3912 19th Century French female portrait Image size 23x19.5

Antique European impressionist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in period giltwood molding. Excellent cond...

'Feminine Forms: Harmony in Curves', oil on board, German School (circa 1980s). Two nude figures portrayed in the abstract posture differently. Both are curvaceous and Rubenesque. Re...

Portrait of a Lady French artist, Rococo period 18th century oil on canvas, framed framed: 15 x 12.5 inches canvas: 10.5 x 8.5 inches provenance: private collection, France condition...

Portrait Hercule-François, Duke of Alençon and of Anjou (1555–1584), 16th Century School of FRANCOIS CLOUET (1510-1572) 16th Century French court portrait of Hercules-Francois, Duk...

"Florentine Expressions: A Portrait Series III", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inte...

Portrait Of Barbara Palmer Duchess of Cleveland, Lady Castlemaine (1640-1709), 17th Century SIR PETER LELY (1618-1680) & Studio Large 17th Century portrait ascribed to Barbara Palm...

Up for sale is a 19th/20th-century American school Antique original oil painting on canvas depicting a portrait of a fisherman seated by a table with fishing creel and basket. No v...

Miniature on copper. Portrait of a lady with white collar. Dutch school, 1630-1640. Medium: oil on copper. Dimensions: 6.5 × 5.3 cm (without frame); 10 × 8.5 cm (with frame). Su...

This charming 20th-century portrait depicts a young boy in elegant period attire, wearing a brown coat over a vibrant red waistcoat and matching red stockings, with a songbird in han...

This wonderfully fine 19th-century portrait showcases a young girl in an elegant gingham dress, holding a basket of flowers against a dark background. The ornate gold frame adds to t...

Up for sale is a fabulous Oil on canvas painting. French, late 18th to early 19th century. The artwork depicts a gallant scene, a shepherdess, and her lover resting in the forest. This stunning impressive piece of art is waiting to be a part of your collection. Collectible European Classical Paintings, Rococo, And Romanticism in Fine Art More photos are available upon request. Overall in very good condition. Please see the photos, they are part of the description. The painting is presented in a nice vintage ornate frame...

Russian Female Portrait, Empire Period, around 1812. French Inscription, cm 21.5 × 17 Oil on wooden panel. 15.7 × 13 cm (without frame) – 21.5 × 17 cm (with frame). Small Russian ...

Portrait Hercule-François, Duke of Alençon and of Anjou (1555–1584), 16th Century School of FRANCOIS CLOUET (1510-1572) 16th Century French court portrait of Hercules-Francois, Duk...

Antique French portrait oil painting of a Chef smoking in the kitchen. This rare oil painting on wood is signed in the upper left and depicts a chef taking a quiet moment to himself...

A delightfully endearing 19th century oil depicting a lady in a delicate green and gold dress and her naughty dog, who can be seen leaping onto the furniture. The artist expertly cap...

Work on canvas

This authentic 19th-century oil portrait depicts a young European woman in traditional attire, painted with refined academic realism and quiet emotional restraint. The sitter is shown in three-quarter view, wearing a straw hat with a blue ribbon, a lace-trimmed blouse, and a dark bodice, delicately holding a small basket of flowers. The soft transitions of light across the face, gentle blush tones, and composed expression reflect mid-19th-century European portrait traditions, closely aligned with Biedermeier and early Realist aesthetics. The background is intentionally subdued, allowing full focus on the sitter’s character and presence. Brushwork is controlled and confident, with careful modeling of facial features and textiles. The composition suggests a formal studio portrait rather than a genre scene, typical of European academic painting of the period. 📏 Measurements: Painting approx. 19.5" × 24"; Framed approx. 30" × 26" 🎨 Medium: Oil on canvas 🖋️ Artist: Signed and dated 1868 in the lower right (signature partially legible) 🖼️ Frame: Original period gilt wood frame; minor wear, losses, and age-related surface imperfections ✔️ Condition: Stable age-related craquelure throughout. Frame shows minor historical damage consistent with age. This is a genuine antique European oil painting...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Self-portrait of the painter with beret and brush in hand, 1930s Period: Circa 1930s Italian school. Technique: Oil on wooden panel Frame: Painted wooden frame, coeval Dimensions: ...

An extremely fine nineteenth-century oil portrait of a young lady in profile, dating to the second half of the century. The sitter wears a silky cerulean dress adorned with delicate ...

This striking mid-19th-century French portrait presents a male sitter standing calmly beside a table laid with the tools of scientific inquiry. Dressed in a dark frock coat with ca...

Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...

This 18th century portrait depicts a young child in formal attire standing in a pastoral landscape, holding a hoop toy. The composition juxtaposes the subject's rigid pose and ornate...

French School 18th Century Portrait of a gentleman holding his hat Oil on paper transferred on wood panel 34 x 27 cm Not signed which is normal for this type of artwork In a beautifu...

A charming depiction of a young boy reading a paper titled 'The League'. Inscribed verso 'Sketch by E. Brothers'. Presented in a gilt frame with elaborate foliate ornamentation. On c...

'Hidden Portraits VIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

Italian painter (17th-18th century) - Franciscan pilgrim friar sitting writing (preparatory sketch). 14 x 16.5 cm without frame, 19 x 21.5 cm with frame. Antique oil painting on pa...

"Florentine Expressions: A Portrait Series IX", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

"Florentine Expressions: A Portrait Series XII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor from the Istituto di Arte di Porta Romana, Florence, Italy. The professor released works of artists whom he mentored over the years. We are unsure who painted the series we acquired as several are just signed, 'Giacomo', or, left completely unsigned, yet many are clearly by the same artist. This one is in good overall condition and has been newly framed with a French-style linen slip. The canvas is textural like one of the vintage maps...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

This fine early 19th-century Austrian oil painting depicts a dapper gentleman in half-length format against a softly animated sky. Shown turned slightly toward the viewer, his postu...

American, Mid 19th Century Unsigned " Portrait of a Young Man holding a Pipe ", circa 1860s Oil on Canvas laid on masonite 29 3/4" x 25" Housed in a newer 2 1/2" Frame Overall ...

So American, this sculptor. Both a right brain and left-brain kind of guy. Working in the mid to late 19th century, John Rogers was innovative, imaginative, and stylistically a reali...

Cuzco (Cusco) School, 19th century, Peru Ángel Arcabucero (Angel with Arquebus) oil on canvas unframed 58 × 41 cm (22.8 × 16.1 in) framed 66 × 49 cm (26.0 × 19.3 in) No signature Provenance: Acquired in Peru in 1986 by the previous owner. Essay: This painting portrays a celestial figure identified as an ángel arcabucero – literally an “arquebus-bearing angel,” shown as an archangel wielding an early firearm (arquebus) instead of the traditional sword. The angel is richly attired in the fashion of an Andean noble or Spanish aristocrat, with an ornate embroidered coat, lace collar, and billowing sleeves, in keeping with the distinctive iconography of these militaristic angels. Such ángeles arcabuceros emerged in the late 17th century in colonial Peru and were especially popular in Cuzco School painting, replacing the sword of Catholic warrior-angels with a gun to signify the heavenly army’s power in a modern guise. The graceful figure, dressed as a nobleman yet serving a divine role, underscores the fusion of earthly authority and celestial protection – a sartorial and symbolic innovation unique to the Andean region’s religious art. This iconography, found only in Spanish colonial territories, resonated with local believers and visually confirmed the angel’s identity as a heavenly soldier guarding the faithful, his delicate hands cradling a long-barreled arquebus as if it were a sacred instrument. The Ángel Arcabucero exemplifies the visual hallmarks of the Cuzco School, a major Peruvian painting...