George Catlin Art

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...

This image is a beautiful collage of antique hand-colored botanical engravings from 1845, each showcasing a different plant species with exceptional detail and vibrant colors. The en...

Three 18th century hand colored engravings of parrot specimens as depicted by Peter Brown, an artist and naturalist, working in London England. Originally published in 1776 in a foli...

Behold a mid-century marvel by André Minaux, a titan of the French School whose stylized Social Realist visions continue to captivate the art world. Painted in 1948, “Femme et Homard...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

A hand colored copper engraving print of an American steamship published by President Ackermann & Co, London, 1840 in a later frame under glass.  

Pair hand-colored Venetian engravings after Canaletto. 18th century hand-colored Venetian engravings in period gilt frames after Canaletto (1697-1768) with view of the Grand Canal t...

Antique 1845 Hand-Colored Engraving of Medieval Singer in Pink Robe, France This finely hand-colored engraving from 1845 depicts a medieval male singer or minstrel, shown standing i...

Antique print titled 'Religieuse Chartreuse'. Print of a Carthusian Nun. This print originates from 'Histoire et Costumes des Ordres Religieux'. The Carthusians, also known as the...

"Globe Aerostatique" a gilt framed hand-colored Engraving, French circa 1787, after Claude Louis Desrais, (1746-1816.) A pastoral scene featuring a tricolored balloon at the center. ...

Madagascar Couple – Antique Hand-Colored Ethnographic Engraving (c.1800) Description: A beautifully hand-colored early 19th-century ethnographic engraving titled “Madagaskars,” depi...

These hand-colored engravings are delicate illustrations of select flora from the 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez, published in Brus...