George Hoyningen-Huene Art

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

A very special Platinum Palladium artist proof (AP) print of Tina Turner performing at the Hungry-i in San Francisco on November 23rd 1967 which was to became the cover of Rolling S...

Gelatin silver print mounted on board, 7 1/2 x 9 1/2 in. (190 x 241 mm) from the Roland Butler Collection, Press Agent, Ringling Bros. and Barnum & Bailey Circus (1930s-1960s) Roland...

'John McEnroe' 1981 Silver Gelatin Print by Watfiord / Mirror Group Archives. Wimbledon 3rd Day: John McEnroe. June 1981 The famous tennis star icon won at the All England Club championships that year, finally beating his long term rival Bjorn Borg...

Spectator Tennis (1938) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st December 1938. Spectators watching a tennis match at a country club. Addi...

Nude Portrait - Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman poses for a nude studio portrait. Additional Information: Unframed Paper Si...

"“You had a once-in-a-year day today.” Wildlife experiences tend to be easier to describe in feelings than in frequency. Even then, I often find myself taking days, months, or even ...

Ballerina Split (1970) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Side view of a prima ballerina, standing in a split, with a row of 8 backing da...

Elephant's Embryo, Uganda Aributed to Peter Beard/Unsigned The original photograph "unsigned" but documented by its inclusion in "Peter Beard - Fifty Years of Portraits, The End of the Game...

Ski Jumping (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A man skiing downhill and jumping into the air, circa 1964...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to capture the nude, not from a position of who holds the power in the relationship, to more of an examination of form without the whisper of sexuality. I have recently revisited my exploration of nudes, this time only from behind the camera. My revelation is that I perceive the subject as a whole, complex human being, giving me the gift of seeing them profoundly. The performance of photographer and subject is on equal footing as we both work within an area of trust and curiosity. What are we really revealing to the camera as one stands before it? Ultimately the experience connects us not only in our shared experience, but as two women, both bringing a level of acceptance and courage to our efforts. It is exhilarating to change the masculine history of photography into a feminine one. Lisa McCord is a fine art and documentary photographer from the Arkansas Delta...

"The moment you hit the water, you’re overcome by a profound sense of nothingness. At times, it feels almost like vertigo as you try to orient yourself. When you look down and around...