George Wachsteter Figurative Paintings

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Star Wars Storm Trooper Pop Art by British Urban Graffiti Artist, Chris Pegg. Entitled The Good The Bad & The Ugly. Art measures 42 x 24 inches Frame measures 50 x 32 inches Chri...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Vintage bi-plane

Contemporary Circular Figurative Abstract by NanC Meinhardt Evocative contemporary figurative abstract by NanC Meinhardt (American, 20th Century). Reminiscent of her bead...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Signed "Stout" on lower right Description William Stout is a multi-media artist who has won numerous awards for his artwork in pulp fiction, dioramas for natural museums, and film work, including two Conan movies, Indiana Jones, Raiders of the Lost Ark, and Pan’s Labyrinth. Stout’s painting, Brunhilde, represents a compilation of the artist’s interests and was inspired by the 19th-century composer Richard Wagner’s epic opera, The Ring of the Nibelung, as part of an art project with the Los Angeles Opera’s 2010 performance of The Ring. The subject, Brunhilde, is based on Norse mythology from the Medieval Poetic Edda and represents the story of a beautiful warrior maiden, a Valkyrie, who was cruelly deceived by her lover. Her father, the supreme god Odin, punished Brunhilde for disobeying him and caused her to fall into everlasting sleep surrounded by a wall of fire. The hero, Siegfried, crossed through the flames and woke the maiden with a kiss. In Stout’s version, Brunhilde is seen as a mighty Shieldmaiden and Valkyrie in the forest surrounded by spirit animals. The barred owl...

Title Page Art. Art Seiden was a children's book illustrator in New York City. Seiden was a member of The Society of Illustrators, Signed in Title

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Hand signed verso Should mat out beautifully This painting, exemplifies the type of traditional portraits the artist Ariane Beigneux was specially known for. Here, Beigneux depicts the portrait of a little boy and horse in a realistic, and seemingly idealized manner. The artist uses local colors and controlled brushstrokes to render the subject, paying close attention to details adding a special clarity to the naturalism of the portrait. it is painted on Whatman illustration board. some drawing in the margins. Ariane Beigneux American Portrait Painter and Illustrator of Childhood Ariane Beigneux (1918–2011) was an American portrait painter and illustrator best known for her tender, luminous depictions of children, developed over a professional career that spanned more than six decades. Born to French parents in Roxbury, Connecticut, in 1918, Beigneux received her formal art training at the National Academy of Design in New York, studying under Gifford Beal, Sidney Dickinson, and Ivan Olinsky, and later continued her studies at the Art Students League of New York with Jon Corbino and Jean Liberté. Institutional Lineage and the Golden Age of American Illustration Beigneux's training at the National Academy of Design and the Art Students League placed her within the same institutional lineage that produced America's leading illustrators of the era, including Norman Rockwell, and her steady output of magazine cover work for Collier's and Ladies' Home Journal situates her firmly within the golden age of American editorial illustration that Rockwell's Saturday Evening Post covers helped define. Early Career and Commercial Illustration Beigneux's career began at a New York commercial art studio, where she was assigned a series of calendar paintings of children for a major insurance company — work that established the sensitive, idealized style of childhood portraiture that would define her practice. She went on to illustrate numerous magazine covers, including work for Collier's and Ladies' Home Journal, bringing her warm, naturalistic style to a broad national audience through the mid-twentieth century. Fine Art Portraiture and Peer Recognition Alongside her illustration work, Beigneux built a distinguished career as a fine art portrait painter, working in a realist tradition rooted in careful attention to local color and controlled brushwork. In 1974, Watson-Guptill Publications featured her in the book 6 Artists Paint a Portrait, alongside fellow portraitists Alfred Chadbourn, George Passantino, Charles Reid, Robert Baxter...

Mona Lisa Mickey Mouse Manga Cartoon Pop Art by British Urban Graffiti Artist, Chris Pegg. This striking mixed media artwork by Chris Pegg exemplifies his vibrant, satirical style t...