Gerbing & Stephan Serveware, Ceramics, Silver and Glass

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

A large saucer form vase with deep incising. Blackware pottery signed and dated on underside. By Jeff Roller, 06, 92.

A charming 19th-century German ceramic cake dish featuring a rich brown glaze and authentic rustic character. Discovered at an antiques sale in Nuremberg, Germany, this rare piece be...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

This is a good example of a very early 19th century Pearlware Chestnut Basket in the "Blue Willow" transfer pattern. Creamware was invented during the second half of the 18th century and reached its height of popularity c.1810. Chestnut baskets were common serving pieces in 18th and 19th century households. Period antique Chestnut basket...

Lovely shaped grey ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base 2 tiny hairline cracks to the rim.( shown in the images ) ...

Circa 1920s red clay ewer with classical figures etched and painted in black. Found in England. Unknown maker. No cracks, chips or repairs found. White blurs...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...

A beautiful and impressive antique Westerwald pottery ewer, made in Germany around the 1880-1900 period. Westerwald pottery was made in the Westerwa...

Italian Mid-Century Modern Ceramics This Italian hand painted vase features a striking black matte surface adorned with fine vertical incis...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...