Gerhard Richter Art

Gerhard Richter (German, b. 1932) Cage P19-3, 2020 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 100 × 100 × 3 cm (39 2/5 × 39 2/5 × 1 1/5 in) Edition ...

Gerhard Richter (born 1932 in Dresden) Gerhard Richter: Collection of Contemporary Art, 1991 An image of the painting "Abstraktes Bild" Dimensions: 49.3 x 74.3 cm (70.1 x 90.2 cm) Me...

This is an official giclée print of Gerhard Richters painting Cage 1 from 2006 (CR 897-1), 2900 x 2900 mm (oil on canvas). Gerhard Richter (G...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Canary Landscapes I b | Kanarische Landschaften I b, 1971 Technique: Original Hand Signed and Numbered Heliogravure in ...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Canary Landscapes I e | Kanarische Landschaften I e, 1971 Technique: Original Hand Signed and Numbered Heliogravure in ...

Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases lit...

Gerhar Richter, in collaboration with Vorwerk, made a special edition titled: 1024 Colors. The color palette by Richter is brought in with high quality pieces of carpet. *The images...

Cage P19-1, Giclee Print on Aluminium Composite Panel by Gerhard Richter Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the fron...

Cage P19-3, Giclee Print on Aluminium Composite Panel by Gerhard Richter Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the fron...

Cage P19-4, Giclee Print on Aluminium Composite Panel by Gerhard Richter Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the fron...

Cage P19-2, Giclee Print on Aluminium Composite Panel by Gerhard Richter Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the fron...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

Cage 3 (P19-3), 2006-2020 Gerhard Richter Giclee printed in colours flush-mounted to aluminium with metal strainer on the reverse (as issued) Numbered from the edition of 200 on a l...

Art print on heavy paper. After the original from 1977. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be framed accordingly. ...

Vermalung (Braun) by Gerhard Richter (b. 1932) Oil on canvas 27 x 40 cm (10 ⁵/₈ x 15 ³/₄ inches) Signed and dated on the reverse, Richter, 72 Provenance Private collection, Germany Literature Butin, H., Gronert, S., Gerhard Richter: Editions 1965-2004, Catalogue Raisonné, Ostfildern-Ruit, 2004, pp 107, 115 Elger, D., Gerhard Richter: Catalogue Raisonné, vol. 2, 1988-1994, Ostfildern 2015, no. 325-77 Lotz, C., The Art of Gerhard Richter, Bloomsbury Academic, London, 2015, p. 157 Butin, H., Olbricht, T., Gerhard Richter. Unikate in Serie / Unique Pieces in Series, 2017, pp. 104-105 Exhibition Gerhard Richter: Printed! Druckgrafik, Foto-Editionen und Künstlerbücher, Kunstmuseum Bonn, Bonn, Germany, 10 June 2004 – 5 September 2004; later travelled to Kunstmuseum Luzern, Lucerne, Switzerland, 16 October 2004 – 9 January 2005; Kunsthalle Emden, Emden, Germany, 19 February 2005 – 24 April 2005; Kunsthalle, Tübingen, Germany, 28 May 2005 – 17 July 2005; Museum der Moderne Salzburg, Salzburg, Austria, 23 July 2005 – 16 October 2005 Gerhard Richter: Die Editionen, Folkwang Museum, Essen, Germany, 7th April – 30th July 2017, pp. 21, 26 Artist biography Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family. Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist. Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group. Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour. Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.” It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...

Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 100 cm 27 1/2 x 39 3/8 in Edition of 500 Unsigned hybrid prints issued by Kunsthaus Zurich o...

Sotheby's invite featuring Gerhard Richter's beautifully vibrant Abstrakes Bild (809-4)) printed on 3 layer thick cardstock. The front of the invite contains no text and would look g...

Gerhard Richter Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 60 x 80 cm 23 5/8 x 31 1/2 in Edition of 500 Issued by Kunsthaus Zurich on occas...

Gerhard Richter Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 100 cm 27 1/2 x 39 3/8 in Edition of 500, unsigned Issued by Kunsthaus Zuric...

Gerhard Richter Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 70 cm 27 1/2 x 39 3/8 in Edition of 500, unsigned. Issued by Kunsthaus Zuric...

Gerhard Richter, (P10) Bagdad II C-Print on aluminum Edition of 500 Published by HENI 50 x 40 cm (19.6 x 15.7 in) Numbered, accompanied by Certificate of Authenticity In mint cond...

Gerhard Richter, (P09) Bagdad I C-Print on aluminum Edition of 500 Published by HENI 50 x 40 cm (19.6 x 15.7 in) Numbered, accompanied by Certificate of Authenticity In mint condi...

Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 100 cm 27 1/2 x 39 3/8 in Edition of 500 Unsigned hybrid prints issued by Kunsthaus Zurich o...

Paper Size: 27.5 x 35.25 inches ( 69.85 x 89.535 cm ) Image Size: 19.25 x 29.25 inches ( 48.895 x 74.295 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Wor...

Diasec-mounted chromogenic print on aluminium, 2014, numbered from an edition of 500 in black ink on the reverse, a facsimile object after the painting of 2010, published by Heni Pro...

Gerhard Richter, P08-P11 C-Print on aluminum (Portfolio of 4) Edition of 500 Published by HENI P8: 33 x 44 cm (12.9 x 17.3 in) P9: 50 x 40 cm (19.6 x 15.7 in) P10: 50 x 40 cm (19.6...

Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 100 cm 27 1/2 x 39 3/8 in Edition of 500 Unsigned hybrid prints issued by Kunsthaus Zurich o...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Abstract Photo Abstraktes Foto, 1989 Technique: Hand Signed, Dated and Numbered Black an...

Reproduction of a 1986 painting, published in 2003, as a gift for the employees of the Victoria-Versicherung Insurance company. This is an offset lithograph of “Victoria I” which has...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Sheet Corner Blattecke. 1967 Technique: Original Hand Signed, Dated and Numbered Offset Lithograph in Colour on Thin C...

• Gerhard Richter's P10 Bagdad is a 50 x 40 cm Diasec-mounted chromogenic print on aluminium, 2014 • Numbered from the edition of 500 • Published by Heni Productions, London If Pa...

• Gerhard Richter's P11 Aladin is a 37 x 50 cm Diasec-mounted chromogenic print on aluminium, 2014 • Numbered from the edition of 500 • Published by Heni Productions, London If Pa...

• Gerhard Richter's P8 Ifrit is a 33 x 44 cm Diasec-mounted chromogenic print on aluminium, 2014 • Numbered from the edition of 500 • Published by Heni Productions, London I...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Nine Objects / Neun Objekte, 1969 Technique: Original Hand Signed, Dated and Numbered Portfolio with 9 Offset Lithograp...

Diasec-mounted chromogenic print mounted on aluminum - Numbered on the reverse in black marker pen, unsigned Edition of 500

Gerhard Richter (b. 1932) Cage Grid I (Complete Set) signed with initial and numbered ‘4/16 R.’ (on the reverse of panels A-O); signed and numbered ‘4/16 Richter’ (on the reverse of ...

Gerhar Richter, in collaboration with Vorwerk, made a special edition titled: 1024 Colors. The color palette by Richter is brought in with high quality pieces of carpet. *The images...

Gerhard Richter (born 1932 in Dresden) Bagdad (P10), 2014 Medium: Diasec mounted chromogenic print Dimensions: 19 7/10 × 15 7/10 in (50 × 40 cm) Edition of 500: numbered verso Condit...

Gerhar Richter, in collaboration with Vorwerk, made a special edition titled: 1024 Colors. The color palette by Richter is brought in with high quality pieces of carpet. *The images...

2006/2020 Giclée print in colors, flush-mounted to aluminum with metal strainer on the reverse (as issued) Image/sheet: 39 2/5 x 39 2/5 in. Edition of 200 Unsigned and numbered in bl...

signed, dated and numbered edition 84 of 100 + 10 AP Fine art print on Arches paper (from a 2006 photo) on AluDibond