Gianluca Patti Paintings

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Elfi Schuselka (Austrian, b. 1940), "Roundabout", Acrylic on Tarlatan with foamcore elements, 1982, signed to the verso, on backing paper with descriptive studio label. 46" H x 43.5"...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

Elfi Schuselka (Austrian, b. 1940), "Align #3", Acrylic on Tarlatan, 1980, signed to the verso, on backing paper with descriptive studio label. 36.5" H x 37" W. Provenance: From the ...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

Square Energy Pink by Ron Agam, Geometric Abstract Painting, 2026 Acrylic Paint Epoxy Resin 20 x 20 inch Square Energy Pink reflects Ron Agam’s ongoing exploration of color, geometr...