Gino Guida Prints and Multiples
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Artist: Gino Guida
Roots in the Sea - Etching by Gino Guida - 1969
By Gino Guida
Located in Roma, IT
Roots in the sea is a beautiful etching by the Italian artist Gino Guida.
The state of preservation is very good. The sheet is mounted on a cardboard passepartout (71.5 x 50.5 cm). ...
Category
1960s Contemporary Gino Guida Prints and Multiples
Materials
Etching
Seaweed - Etching by Gino Guida - 1968
By Gino Guida
Located in Roma, IT
Seaweed is an original artwork realized by Gino Guida in 1968.
Etching on paper; hand-signed and dated in pencil on the lower right margin (Gino Guida '68), numbered in pencil on th...
Category
1960s Contemporary Gino Guida Prints and Multiples
Materials
Etching
Seashells - Original Lithograph by Gino Guida - 1968
By Gino Guida
Located in Roma, IT
Image dimensions 16 x 25 cm.
Hand Signed. Edition of 150 pieces.
Category
1960s Gino Guida Prints and Multiples
Materials
Lithograph
Sea Radishes - Original Lithograph by Gino Guida - 1968
By Gino Guida
Located in Roma, IT
Sea Radishes is a beautiful lithography by the Italian artist Gino Guida.
The state of preservation is very good. The sheet is mounted on a cardboard passepartout (49 x 34 cm). Hand...
Category
1960s Gino Guida Prints and Multiples
Materials
Lithograph
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"LA CHAINE SIMPSON" by Toulouse-Lautrec from Les Maitres de l'Affiche
By Henri de Toulouse-Lautrec
Located in Hinsdale, IL
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(1864-1901)
"LA CHAINE SIMPSON"
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Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #60, 1900. Plate #238
Unframed Size: 11 3/8 x 15 3/4”
The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...
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Wittrock P27B, Adhemar 197
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Wittrock’s State III of III with letters
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Image size: 22 1/2” x 23 5/8”
Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...
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Gino Guida prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Gino Guida prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Gino Guida in etching, lithograph and more. Much of the original work by this artist or collective was created during the 1960s and is mostly associated with the contemporary style. Not every interior allows for large Gino Guida prints and multiples, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Francesco Manzini, Guido Crepax, and Gianni Testa. Gino Guida prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $156 and tops out at $279, while the average work can sell for $240.