Givenchy Drop Necklaces

This 1990's Gianni Versace cross pendent necklace is masterpiece whilst offering a timeless classic style. The silver tone metal curb chain has a beautif...

This is a iconic necklace from the famous Italian designer Gianni Versace from the 1990s. The necklace features a silver toned metal chain with a unique style link covered in rhinestones. In the centre of the chain there are two circle medallions with the designers well know medusa head motif. The simple yet stunning piece is a statement to any outfit and a must to any collection. The finishing designer touch includes Gianni Versace greek tile...

Grade A++ Green Quartz Crystal Bead Necklace 8.5 mm, Genuine Gemstone and has 14 Karat gold beads in between. length 28 inches 19 gold beads no Clasp Weight of the necklace is 68 ...

Beautiful vintage Rochas tassel perfume pendant necklace. I love the combination of the fuchsia pink silk cord and the cobalt blue miniature p...

- Vintage item - Collectible costume jewelry piece from the mid-century - 17" total length, can be adjusted down using hook clasp - 3" dangle drop - Iridescent AB crystal rhines...

- Vintage item - Collectible costume jewelry piece from the '70s - 22" chain length - 5.5" drop - Gold plated - Chain is composed of bamboo style links and ornate Victorian Revi...

This lovely French modernist bronze choker necklace features five geometric dangling charm elements in rounded free forms topped with green and purple enamel. The piece boasts a nice...

- Vintage item - Measures 15" total length, can be adjusted down using hook clasp along chain - 1.5" drop - Round, marquise and tear drop crystal rhinestones - Silver tone - Hoo...

Amethyst and Topaz Necklace in Platinum-Coated Sterling Silver This intricately designed necklace showcases a harmonious blend of natural gemstones, featuring 89 topaz stones in var...

- 19" length - 8.5" drop - Gold and silver tone - Four strand chain - Clasp closure - Unsigned, but attributed to Goldette - circa 1970s - Made in New York CONDITION: Excellent vint...

Robert Goosens, the French haute-couture Chanel-favorite parurier who enjoyed reinterpreting ancient and antique styles of jewelry with rock crystal and faux stones, also collaborated with Madame Alix Gres. Relevant to this statement necklace, the Parisian theatrical-costume designer, who founded the French fashion-house Maison Gres, commissioned Goosens to make spiral-wire adornments for her couture gowns. This handmade hammered brass wire choker necklace with five dropped en-tremblant pendants is decorated with unique colorful beads and wrapped wire. The piece dates between 1969-1971 based on similar unsigned spiraled-wire metal jewelry without goldsmithing marks in the museum collection of TheMet (see our photo), which acquired it from Maison Givenchy founder Hubert de Givenchy, who was one of most supportive fans of Gres. Like the legendary sculptural clothing designs of Madame Gres, this necklace was inspired by Greco-Roman costumes, while its sculpted shapes by Goosens reference her signature curvilinear fabric techniques that earned her the sobriquet of "the master of the wrapped and draped dress". Goosens (1927-2016), nicknamed Monsieur Bijou, also made jewelry inspired by other periods of antiquity to compliment the couture clothing of Coco Chanel, Cristobal Balenciaga, Elsa Schiaparelli, Christian Dior, and Yves Saint Laurent. After Goosens collaborated with Gres, he revisited golden spiral designs with Saint Laurent. Similar to the free-flowing fabric manipulated in Gres gowns, this hand-shaped necklace that we photographed in sunlight is a study in motion that drapes across a curvy cleavage. Adding drama to this necklace below its wire choker, the top teetering-wire pendant is a twisted and hammered horizontal double spiral, which is a Hellenistic symbol of life and transformation suggesting the breasts of a goddess of fertility and motherhood. Yet distinctly Goosens, 18 hand-cut and hand-dyed "ancient-Roman-blue" rock-crystal beads are wire-strung to weight a second tier of two separate vertical double-spiral pendants. On each, a wrapped-wire tube divides the blue beads. Between these vertical pendants in two tiers, the central vertical pendants each feature a one-of-a-kind multicolor bead (yellow/blue/red/black/white) in two lengths with abstract organic patterns recalling ancient Italian glasswork. Four more blue beads bracket these larger colorful beads. An additional 10 blue beads and 5 wire tubes decorate the bottom looped wire pendant, as well as the bottom of the wire choker. Like the hammered-wire jewelry designs of modern artist Alexander Calder, the creative complex construction of this necklace surprisingly required no metalsmith techniques, such as soldering or casting, just great skill with a jewelry pliers and hammer. For a bigger picture of couture clothing by Madame Gres during the decade beginning in 1969, she notably designed many museum-collected one-color silk-taffeta draped long gowns with empire waists and simple high collars or geometric cut-outs. Remarkably, the focal points for some of these unique dresses were at the wrists, from where long pouf sleeves voluminously droop around the hands to nearly the floor like two enormous long-petaled flowers. If paired with this equally downward-focused and balanced necklace from this same period, its bold Greco-Roman elements would have pulled a viewer's gaze of the dress from floor to face. Although there is no significant provenance for this necklace, hammered brass and tinted rock crystal were among the few materials repeatedly associated with Goosens from 1969-71. For example, in his overlapping interior-decor collections based on themes of waterlilies or foliage, Goosens hammered gilt brass wire and sheets (see our closeup photo) to represent plant parts or he wired rock-crystal beads to appear as tiny fruits. While the two multicolor glass or resin beads in this necklace are atypical, the combination of blue, yellow and red is a palette that the designer used for other pieces of rock-crystal jewelry and he created many kinds of multicolor faux stones with glass or resin paste, such as faux Tibetan turquoise including black and white. According to journalism based on interviews with Goosens, he often acquired unusual stones and glass for inspiration during his extensive travels exploring museum-collected antiquities. Since Maison Goosens was acquired in 2005 by Maison Chanel, it opened the Parisian showroom Galerie Goosens and associated shops to sell many kinds of reproductions and reimagined works by the founder, which fortunately does not suit the completely handmade elements of this necklace. So this couture piece remains one-of-a-kind. If desiring a vintage haute-couture original by Robert Goosens, we recommend perusing the Maison Goosens website so that a reproduction with a contemporary signature is not mistakenly purchased. Madame Gres (1903-1993) was born Germaine Emelie Krebs, but initially identified her fashion designs with the pseudonym Alix and later Alix Barton...

Christian Dior Vintage 1980s White Round Circle Pearl Asymmetric Double Wings Flower Pendant Elegant Necklace, Gold Plated Very excellent condition. 100% Genuine. Constructed from ...