Guillaume Denière Furniture

A very impressive 19th century Louis XVI style Bachuss influenced bronze and gilded ormolu clock garniture. The pair of four branch candelabra each supported by bronze putti, raised ...

Lady and the Bee From our Bronze Sculpture collection, we are delighted to offer this beautiful French Bronze Sculpture by Eutrope Bouret. The Sculpture modelled in bronze with a su...

A wonderfully impressive 19th Century French gilded ormolu clock garniture, by Deniere of Paris. The clock having a classical reclining maiden holding doves among flowers and foliage...

French massive mantel clock of Psyche and Cupid signed Deniere. Superb example after the original late 18th century model by Claud Michalon. This version was made by the famous early...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

ROSA BONHEUR French, 1822-1899 "Mouton Broutant" or Grazing Ewe Dark-brown patina sand-cast bronze Signed in base "Rosa B." almost certainly cast by Peyrol (unmarked) circa 1860...

A good lifetime casting by Charles More numbered 215, it captures the entirely relaxed spirit of the recumbant husky dog with its bushy tail bouncing and eye...

Portal clock on rectangular stepped base in mahogany veneer with small squeeze feet and fire-gilded applications in the form of rose festoons. The stepped...

ANTOINE-LOUIS BARYE French, 1796-1875 Panther of Tunisia [smaller version] Sand-cast patinated bronze Signed in cast BARYE Cast executed last quarter of the 19th century 3 1/2" H ...

PIERRE-JULES MÊNE French, 1810-1879 "Chien Limier" (1869) Patinated bronze signed in cast "P.J. MÊNE" almost certainly cast in Mêne's personal atelier circa 1875 Item # 309MWP02...