Guillaume Denière Furniture

French Bronze Sculpture of Youth Wrangling a Horse by Guillaume Coustou (1677-1746). Best known for his monumental statues of horses, Coustou was the royal sculptor for Louis XIV an...

A very impressive 19th century Louis XVI style Bachuss influenced bronze and gilded ormolu clock garniture. The pair of four branch candelabra each supported by bronze putti, raised ...

French massive mantel clock of Psyche and Cupid signed Deniere. Superb example after the original late 18th century model by Claud Michalon. This version was made by the famous early...

A wonderfully impressive 19th Century French gilded ormolu clock garniture, by Deniere of Paris. The clock having a classical reclining maiden holding doves among flowers and foliage...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

PIERRE-JULES MÊNE French, 1810-1879 "Chien Limier" (1869) Patinated bronze signed in cast "P.J. MÊNE" almost certainly cast in Mêne's personal atelier circa 1875 Item # 309MWP02...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

Fannières Frères Desk Clock Time Allegory Chased gilt and silvered bronze Desk Clock With an allegorical theme of Time in the form of a cherub suppor...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

An incredibly beautiful representation of Diana the Huntress, this rather rare cast by Eugéne Marioton captures the goddess as a young woman with her bow resting gingerly against her...

A good lifetime casting by Charles More numbered 215, it captures the entirely relaxed spirit of the recumbant husky dog with its bushy tail bouncing and eye...

An Impressive Mobile Sculpture by Guillaume Lanoux France 1980's Big size. In black painted in original good condition