Hans Fischer Furniture

A wonderful sketched lithograph by famed Swiss artists/sculptor Alberto Giacometti. The lithograph was printed in Paris by Mourlot Freres in 1964 and was issued in an edition of ...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

“Prints mimic what we are as humans. We are all the same and yet everyone is different. I also think there’s a spiritual power in repetition, a devotional quality, like saying rosari...

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...

Original midcentury abstract lithograph signed P.Z and numbered 8/75, in the style of Margaret Neill. This limited edition and interes...

Richard Anuszkiewicz (1930-2020) Inward Eye #10 from the Inward Eye Series, 1970. Pronounced it ah-noo-SHKEV-ich. Silkscreen 25 19/20 × 19 3/4 inches Edition of 100, #56/100. Acid f...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Josef Albers, Formulations - Articulations I & II Edition 974/ 1000 1972 screen-print on paper Embossed with Josef Albers initials, portfolio and folder number. This work is publi...

An expressive and graphic vintage serigraph depicting an abstracted group of red-wing blackbirds in flight. Signed in pencil by the artist.

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

A beautiful lithographic print by Argentinian-born Italian surrealist painter, designer, illustrator, and author Leonor Fini titled "Femme Avec Cheveux Rouge". Leonor Fini was arguably the most ferociously and heroically independent woman artist of the 20th century. Fini herself never accepted the label of "woman artist," and likewise, never considered herself a Surrealist despite her works having been included in nearly every major Surrealism exhibition from 1936 to the present. In the 1930s she lived in Paris, France where she collaborated with, or who were influenced by such prominent 20th-century artists as Jean Cocteau, Man Ray, Leonora Carrington, Salvador Dalí, Joseph Cornell, Dora Maar, Anna Magnani, Albert Camus, Jean Genet...

A terrific example of a two-paged screen print from Josef Alber's Formulation: Articulation, 1972. This example is portfolio 1 from folder 18, 1972. From an edition of 1000 produc...